Au 23ème siècle, dans un univers étrange et coloré où tout espoir de survie est impossible sans la découverte du Cinquième Elément, un héros peu ordinaire affronte le Mal pour sauver l'humanité. (ESC Distribution)

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Critiques (10)


Toutes les critiques de l’utilisateur·trice

anglais A pastiche of boredom and grayness, despite being artfully wrapped in loud colors. I think I might even have liked The Fifth Element... If it weren’t for one detail. Constant attempts at unintentionally infantile “humor". And I didn’t swallow Besson’s game of pretending that this has a large, rich and chiseled mythology behind it. The Fifth Element has its moments, but, considering how long it is, there are too few of them. ()



Toutes les critiques de l’utilisateur·trice

anglais The story, which takes us from 1914 to the 23rd century very quickly, has been waiting 20 years to be realized. It’s therefore not surprising that it is not accessible to everyone the first time they watch it. It's part parody of a parody and part celebration of fantasy. I am happy for Moebius and Maïwenn Le Besco. ()


Toutes les critiques de l’utilisateur·trice

anglais It's a real pity that Chris Tucker is involved. As entertaining as he usually is, here he is more annoying and ruins an otherwise great movie with his performances. The same can be said about Luc Besson himself, who, despite having created a wonderfully fantastic world with a fascinating mythology, couldn't hold back his imagination in the middle part, making the storyline feel a bit cluttered and rushed (especially regarding Corben's development). The biggest strengths of the film are, of course, the adorable Milla Jovovich and the slimy Gary Oldman. ()


Toutes les critiques de l’utilisateur·trice

anglais An incredibly colorful and visually stunning affair that entertains, occasionally even captivates, with its legendary wisecracks and visual-effect-laden, overexposed sequences. It also forces reflection on an interesting mix of genres and visual styles, with a plethora of movie stars overseen by Europe's directors and the scent of a legend, which this film has certainly become over the years. It's all too wild and crazy for higher ratings, but in many aspects, Luc Besson could teach his colleagues a lot with this film. ()

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