Les Aventures du baron de Münchausen

  • Grande-Bretagne The Adventures of Baron Munchausen (plus)
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Résumés(1)

Le siècle des Lumières. Une ville s'apprête à succomber sous les assauts des Turcs. Seul le théâtre royal est encore debout où comédiens et machinistes s'échinent à donner un spectacle potable mais invariablement hué par les spectateurs. Ils présentent ce jour-la "Les Aventures du baron de Münchausen" quand au beau milieu d'une scène, un vieillard se lève et revendique l'identité du baron de Münchausen. Il propose alors aux habitants incrédules de chasser les Turcs. Pour ce faire, il leur demande de l'aider à retrouver ses quatre anciens compagnons d'aventures. (ESC Distribution)

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Vidéo (1)

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Critiques (4)

Kaka 

Toutes les critiques de l’utilisateur·trice

anglais It is not a pure fairy tale and it also doesn't work as an adventure film – perhaps there is enough humor and irony – but for my taste, it is a bit lacking. Visually, it is typically Gilliam, with bizarre and sometimes insanely theatrical-looking sets – I'm starting to become a little allergic to the director's name because every film is eccentricity. It's not that I mind the fact that everything is not typically Hollywood, but I simply don't like this style. The running time is also too long considering how simple the screenplay is, and essentially we only have three big flashback parts (moon, volcano, and fish). The ending is also quite strange, they did let their imagination run wild here, and it shows. ()

kaylin 

Toutes les critiques de l’utilisateur·trice

anglais Visually, it is definitely an interesting film, but honestly, I'm not as entertained by Gilliam's visual approach. No, when the story isn't as interesting to impress me as a whole film. And that's exactly what happened to me with the film "The Adventures of Baron Munchausen". Visually interesting, beautiful tricks and masks, but the overall impression is diluted by an uninteresting presentation of the story. ()

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Othello 

Toutes les critiques de l’utilisateur·trice

anglais Narrative hedonism that divides its audience right in the film. I'll always choose John Neville over Vincent Price, my old pals aren't what they used to be either, but I have faith that one day we'll all get together and save the city. And then we'll get trashed. Yeah.) ()

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