VOD (1)

Résumés(1)

En 2019, les vampires ont pris le contrôle de notre planète. Les humains ne sont plus qu'une petite minorité, entretenue uniquement pour nourrir la population dominante. Edward Dalton est un vampire qui travaille dans la recherche. Il refuse de se nourrir de sang humain et oeuvre sans relâche à la mise au point d'un substitut qui pourrait à la fois nourrir ses semblables et sauver les derniers spécimens d'hommes. Lorsqu'il rencontre Audrey, une jeune survivante humaine, il va découvrir un secret biologique qui peut tout changer. Désormais, fort d'un savoir que vampires et humains veulent s'approprier à tout prix, Edward va se retrouver au centre d'un affrontement absolu dont l'enjeu décidera de l'avenir des deux espèces... (Metropolitan FilmExport)

(plus)

Critiques (7)

POMO 

Toutes les critiques de l’utilisateur·trice

français Le potentiel d'un grand événement de genre, dilué par les tuyaux d'un film d'action bêta stupide. Les créateurs n'ont aucune idée de ce qui est essentiel pour leur histoire et de ce qu'ils devraient éviter à tout prix. ()

Kaka 

Toutes les critiques de l’utilisateur·trice

anglais Very unoriginal. You can see the smaller budget, the occasional visual B-movie quality and the lack of a strong atmosphere. A few bloody shots and an interesting idea can't save it from being subpar, as the whole thing comes across as strongly unremarkable. Perhaps, those few interesting directing ideas and camera tricks might stick in your memory and salvage it. A little too little for such a cast and great ambitions. ()

Annonces

J*A*S*M 

Toutes les critiques de l’utilisateur·trice

anglais Slightly undercooked, but edible nonetheless. Even though I liked it, it’s a pity that it’s not nearly as good and interesting as it could be. That originally conceived world could be the setting for a far more untraditional story. The directorial duo did a good job, but there are a few weak spots (e.g. the chained anaemic, that was a wasted scene) and the inexperience of the creators is evident especially in the dialogues, which consist solely of schematic rejoinders, and are the only thing that I felt was truly bad. I reckon it deserves 70%. ()

Isherwood 

Toutes les critiques de l’utilisateur·trice

anglais It takes quite the effort to turn such a promising premise into such an empty spectacle. The Spierig brothers do not subordinate their script to a thoughtful world, but rather to the average viewer, and thus we are bombarded with car collisions, commando ambushes, and crossbow fire. It feels like a punch to the gut, as they do a pretty decent job with emotions and have good actors on hand. Unfortunately, my interest was stuck with the trailer, where the essentials happened and Placebo played in the background. Visually, the brothers offer only darkened camera filters. And the rest? Well, it’s neither boring nor stupid, but somehow just... uninteresting. 2 ½. ()

D.Moore 

Toutes les critiques de l’utilisateur·trice

anglais I'll round up three and a half stars mainly for the devilishly attractive idea (there is power in simplicity), the decently elaborated world (for an hour and a half long film, it's definitely decent) and Sam Neill. I enjoyed watching Daybreakers very much, the action was sufficiently action-packed, the was very little horror, but it was there, the idea (or point, if you like) was there in the end and it was not in vain... A decent B.__P.S. And those Dafoe cars! ()

Photos (65)