Résumés(1)

En 1997, Manhattan est devenu une immense prison ghetto où vivent, en micro-société, trois millions de prisonniers. Victime d’un attentat, l’avion du Président des États-Unis s’écrase en plein Manhattan avec des documents ultra-secrets. Snake, un dangereux criminel, est chargé, en échange de sa grâce, de partir à la recherche du Président. Parachuté dans Manhattan, il dispose de vingt-quatre heures pour mener à bien sa mission… (Splendor Films)

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Critiques (10)

POMO 

Toutes les critiques de l’utilisateur·trice

français Excellente atmosphère du Manhattan post-apocalyptique, excellente distribution d'acteurs des années 80. Kurt Russell est au sommet de ses capacités. Une heure et demie très agréable passée aujourd'hui, même après plus de vingt ans. ()

J*A*S*M 

Toutes les critiques de l’utilisateur·trice

anglais Carpenter’s famous cult movie didn’t work on me. The atmosphere is fine, Russell is tough as nails, but the very premise of Manhattan as a prison (that was set up god knows why) is very silly. I know looking for logic in films of this kind is nonsense, but in Escape from New York all those inconsistencies were way too evident. ()

Annonces

Kaka 

Toutes les critiques de l’utilisateur·trice

anglais Typical John Carpenter’s madness set in an insanely looking New York as big prison, with tasteless and uninspiring action scenes, and characters that look like they've just had a stroke. The whole thing looks like one big fetish flick. We have a boxing ring, pseudo-futuristic machines, the World Trade Center, where a glider can land, all of that crowned by a tough and taciturn hero played by Kurt Russell, whom everyone knows and nobody calls anything other than Snake. It's crazy nonsense, but entertaining at times. The script is practically nonexistent and the plot is also nothing special. The only thing that stands out is precisely the cheapness and wackiness of the whole project, which is basically Carpenter's main weapon to impress the audience. ()

Isherwood 

Toutes les critiques de l’utilisateur·trice

anglais A typical, distinctive Carpenter film, as only he can do it. The low budget and the associated minimalism are enough to play a solid B-movie etude about one tough guy who stood up to everyone and fucked them all up... Kurt Russell is a man par excellence, who needs little to satisfy similarly-minded fans - the pissed-off face, synth music, and an hour and a half-long sequence of tense scenes that can be described in several pages of genre textbooks today. 4 ½. ()

lamps 

Toutes les critiques de l’utilisateur·trice

anglais Carpenter’s precise B-movie hit demands that you not think about the wider context of the story and instead adapt to the requirements of low-brow entertainment, but the director will pay you back with interest. Kurt Russell is great and is accompanied by a host of top-acting talent and, despite the occasional silliness, this is pure filmmaking that, even within its premise, can be taken pretty seriously. The uncontrolled “trash” fun will come with the sequel. 75% ()

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