Récompenses - Academy Awards - 1929-1934
Prix national
- César du cinéma
- Academy Awards
- Independent Spirit Awards
- British Academy of Film and Television Arts (BAFTA)
- British Independent Film Awards (BIFA)
- European Film Awards
- Goya Awards
- German Film Awards
- Robert Awards (Danish Film Awards)
- Jussi Awards
- Czech Lion Awards
- Sun in a Net Awards
- Polish Film Awards
- Hungarian Motion Picture Awards (Hungarian Film Awards)
- Filmfare Awards
- Guldbagge Awards
- Amanda Awards
- AACTA International Awards
- Hong Kong Film Awards
Festivals de cinéma
- Festival de Cannes
- Festival international du film fantastique d'Avoriaz
- Venice Film Festival
- Berlinale (Berlin International Film Festival)
- Toronto International Film Festival
- Tribeca Film Festival
- Sundance Film Festival
- Karlovy Vary International Film Festival (KVIFF)
- Zurich Film Festival
- San Sebastián International Film Festival
- Sitges Film Festival
- Shanghai International Film Festival
- Warsaw International Film Festival
- Miami Film Festival
- Montreal World Film Festival
- Hong Kong International Film Festival (HKIFF)
- Melbourne International Film Festival (MIFF)
- Tallinn Black Nights Film Festival
- Ji.hlava International Documentary Film Festival
- Zlín Film Festival
- FAMUfest
- Norwegian International Film Festival Haugesund
Prix de la critique
- Golden Globes
- Critics Choice Awards
- Florida Film Critics Circle Awards
- Los Angeles Film Critics Association Awards
- New York Film Critics Circle Awards
- Czech Film Critics Awards
Prix de genre (récompenses spéciales)
Antiprix
1934 - The 6th Academy Awards
Best Motion Picture of the Year
Cavalcade
Best Motion Picture of the Year
- Cavalcade
- 42ème Rue
- L'Adieu aux armes
- Je suis un évadé
- Grande dame d'un jour
- Les Quatre Filles du Docteur March
- La Vie privée d'Henry VIII
- She Done Him Wrong
- Smilin' Through
- State Fair
Best Achievement in Directing
- Frank Lloyd (Cavalcade)
- Frank Capra (Grande dame d'un jour)
- George Cukor (Les Quatre Filles du Docteur March)
Best Performance by an Actor in a Leading Role
- Charles Laughton (La Vie privée d'Henry VIII)
- Leslie Howard (Berkeley Square)
- Paul Muni (Je suis un évadé)
Best Performance by an Actress in a Leading Role
Best Adapted Screenplay
- Victor Heerman, Sarah Y. Mason (Les Quatre Filles du Docteur March)
- Robert Riskin (Grande dame d'un jour)
- Paul Green, Sonya Levien (State Fair)
Best Original Story
Best Achievement in Cinematography
- Charles Lang (L'Adieu aux armes)
- George J. Folsey (Reunion in Vienna)
- Karl Struss (Le Signe de la croix)
Best Achievement in Production Design
Best Sound Mixing
Best Short Subject (Comedy)
Best Short Subject (Drama)
Best Animated Short Film
1932 - The 5th Academy Awards
Best Motion Picture of the Year
Grand Hotel
Best Motion Picture of the Year
- Grand Hotel
- Arrowsmith
- Bad Girl
- Le Champion
- Five Star Final
- Une heure près de toi
- Shanghaï Express
- Le Lieutenant souriant
Best Achievement in Directing
Best Performance by an Actor in a Leading Role
- Wallace Beery (Le Champion)
- Fredric March (Docteur Jekyll et Mister Hyde)
- Alfred Lunt (The Guardsman)
Best Performance by an Actress in a Leading Role
Best Adapted Screenplay
- Edwin J. Burke (Bad Girl)
- Sidney Howard (Arrowsmith)
- Percy Heath, Samuel Hoffenstein (Docteur Jekyll et Mister Hyde)
Best Original Story
Best Achievement in Cinematography
Best Achievement in Production Design
Best Short Subject (Comedy)
Best Short Subject (Drama)
Best Animated Short Film
Honorary Award
- Walt Disney (for the creation of Mickey Mouse)
1931 - The 4th Academy Awards
Best Motion Picture of the Year
La Ruée vers l'Ouest
Best Motion Picture of the Year
Best Achievement in Directing
- Norman Taurog (Skippy)
- Clarence Brown (Les Âmes libres)
- Lewis Milestone (The Front Page)
- Wesley Ruggles (La Ruée vers l'Ouest)
- Josef von Sternberg (Coeurs brûlés)
Best Performance by an Actor in a Leading Role
- Lionel Barrymore (Les Âmes libres)
- Jackie Cooper (Skippy)
- Richard Dix (La Ruée vers l'Ouest)
- Fredric March (The Royal Family of Broadway)
- Adolphe Menjou (The Front Page)
Best Performance by an Actress in a Leading Role
- Marie Dressler (Min and Bill)
- Marlene Dietrich (Coeurs brûlés)
- Irene Dunne (La Ruée vers l'Ouest)
- Ann Harding (Holiday)
- Norma Shearer (Les Âmes libres)
Best Adapted Screenplay
- Howard Estabrook (La Ruée vers l'Ouest)
- Seton I. Miller, Fred Niblo Jr. (Le Code criminel)
- Horace Jackson (Holiday)
- Francis Edward Faragoh, Robert N. Lee (Le Petit César)
- Joseph L. Mankiewicz, Sam Mintz (Skippy)
Best Original Story
- John Monk Saunders (La Patrouille de l'aube)
- The Doorway to Hell
- Laughter
- L'Ennemi public
- Smart Money
Best Achievement in Cinematography
- Floyd Crosby (Tabou)
- Edward Cronjager (La Ruée vers l'Ouest)
- Lee Garmes (Coeurs brûlés)
- Charles Lang (The Right to Love)
- Barney McGill (Svengali)
Best Achievement in Production Design
1930 - The 3rd Academy Awards
Best Motion Picture of the Year
À l'Ouest, rien de nouveau
Best Motion Picture of the Year
Best Achievement in Directing
- Lewis Milestone (À l'Ouest, rien de nouveau)
- Clarence Brown (Anna Christie)
- Clarence Brown (Romance)
- Robert Z. Leonard (La Divorcée)
- Ernst Lubitsch (Parade d'amour)
- King Vidor (Hallelujah)
Best Performance by an Actor in a Leading Role
- George Arliss (Disraeli)
- George Arliss (The Green Goddess)
- Wallace Beery (The Big House)
- Maurice Chevalier (The Big Pond)
- Maurice Chevalier (Parade d'amour)
- Ronald Colman (Bulldog Drummond)
- Ronald Colman (Condemned!)
- Lawrence Tibbett (The Rogue Song)
Best Performance by an Actress in a Leading Role
- Norma Shearer (La Divorcée)
- Nancy Carroll (The Devil's Holiday)
- Ruth Chatterton (Sarah and Son)
- Greta Garbo (Anna Christie)
- Greta Garbo (Romance)
- Norma Shearer (Their Own Desire)
- Gloria Swanson (The Trespasser)
Best Original Story
Best Achievement in Cinematography
- Joseph T. Rucker, Willard Van der Veer (With Byrd at the South Pole)
- Arthur Edeson (À l'Ouest, rien de nouveau)
- William H. Daniels (Anna Christie)
- Tony Gaudio, Harry Perry (Les Anges de l'enfer)
- Victor Milner (Parade d'amour)
Best Achievement in Production Design
Best Sound Mixing
1930 - The 2nd Academy Awards
Best Motion Picture of the Year
The Broadway Melody
Best Motion Picture of the Year
Best Achievement in Directing
- Frank Lloyd (The Divine Lady)
- Lionel Barrymore (Madame X)
- Harry Beaumont (The Broadway Melody)
- Irving Cummings (In Old Arizona)
- Frank Lloyd (Weary River)
- Frank Lloyd (Drag)
- Ernst Lubitsch (The Patriot)
Best Performance by an Actor in a Leading Role
- Warner Baxter (In Old Arizona)
- George Bancroft (L'Assommeur)
- Chester Morris (Alibi)
- Paul Muni (Valiant, The)
- Lewis Stone (The Patriot)
Best Performance by an Actress in a Leading Role
- Mary Pickford (Coquette)
- Ruth Chatterton (Madame X)
- Betty Compson (The Barker)
- Jeanne Eagels (The Letter)
- Corinne Griffith (The Divine Lady)
- Bessie Love (The Broadway Melody)
Best Original Story
- Hanns Kräly (The Patriot)
- The Cop
- In Old Arizona
- The Last of Mrs. Cheyney
- The Leatherneck
- Our Dancing Daughters
- Sal of Singapore
- Skyscraper
- Valiant, The
- Intrigues
- Wonder of Women
Best Achievement in Cinematography
- Clyde De Vinna (With Byrd at the South Pole)
- John F. Seitz (The Divine Lady)
- Ernest Palmer (Quatre diables)
- Arthur Edeson (In Old Arizona)
- George Barnes (Our Dancing Daughters)
- Ernest Palmer (L'Ange de la rue)
Best Achievement in Production Design
1929 - The 1st Academy Awards
Best Motion Picture of the Year
Best Picture with Unique and Artistic Production
Best Achievement in Directing
- Lewis Milestone (Frères d'armes)
- Frank Borzage (L'Heure suprême)
- Ted Wilde (En vitesse)
- Herbert Brenon (Sorrell and Son)
- King Vidor (La Foule)
Best Performance by an Actor in a Leading Role
- Emil Jannings (Crépuscule de gloire)
- Emil Jannings (Quand la chair succombe)
- Richard Barthelmess (The Noose)
- Richard Barthelmess (The Patent Leather Kid)
Best Performance by an Actress in a Leading Role
- Janet Gaynor (L'Heure suprême)
- Janet Gaynor (L'Aurore)
- Janet Gaynor (L'Ange de la rue)
- Louise Dresser (A Ship Comes In)
- Gloria Swanson (Sadie Thompson)
Best Adapted Screenplay
Best Original Story
Best Achievement in Cinematography
- Charles Rosher, Karl Struss (L'Aurore)
- George Barnes (The Devil Dancer)
- George Barnes (The Magic Flame)
- George Barnes (Sadie Thompson)
Best Achievement in Production Design
Best Achievement in Visual Effects
Honorary Award
- Charlie Chaplin (Le Cirque)
- Le Chanteur de jazz (to Warner Bros.)