Possessor

Café corsé ! Une charge psychologique dans une vision sombre et futuriste qui ne s'abaisse pas au niveau du spectateur ordinaire, mais au contraire, qui définit chaque minute supplémentaire dans le cercle des satisfactions potentielles de ses rangs. Le sujet lui-même est inquiétant - nous ne voulons pas d'un tel avenir ! Et la mise en œuvre ultra-violente, froidement drastique, ne fait qu'amplifier l'expérience extrême du spectateur. Difficile, émotionnellement inaccessible, mais fascinant et intense. (16/10/2021)

The critics at Sundance shamelessly sang odes to it and, after reading a few texts praising it as a genre milestone and a unique, bold and tough film like no other, I imagined it a little differently in my head. I won’t pretend that I was unconditionally happy with what I got in the end, but that’s not Cronenberg’s mistake. Possessor does have a good and original premise, it’s certainly well and stylishly shot and acted… but, with equal certainty, it remains a low-key small thriller and calling it one of the movie events of the year is not really anchored in reality. The experience is hindered by a strong link between the viewer and two of the main characters and, in my opinion, also because the struggle between the characters of Riseborough and Abbott lacks more tangible substance. (03/05/2020)

A Canadian oddity from Cronenberg jr. A very strange film that has an interesting idea about brain implants that can control alien bodies and make them do nasty things. I remember that the first festival reviews were very enthusiastic and the film leaked online before its trailer, so I didn't know what I was getting into, but I'm not too happy. The film has a very slow and uninteresting pace and even though there are about three nice brutal scenes (beginning, middle, end), I was more bored than entertained. It's a little too artsy for my taste and definitely more for the discerning viewer. But it will find its fans. Story***, Action**, Humor>No, Violence***, Entertainment**, Music***, Visuals***, Atmosphere**, Suspense**. 5/10. (28/04/2020)

If Brandon is picking up where his father left off, he's taking a lot of detours through a young Cosmatos. That in itself can easily devolve into Mannerist irritating tedium, and if you get a bad night's sleep you might find the whole thing transparent show, because there's nothing underneath the entire story. For my part, though, it's a consistently and meticulously crafted genre film that at times commendably tries to pull us out of our comfort zone. What's more, the film feels like it has the same pulse throughout: slow, methodical, not picking up the pace even in its most suspenseful moments. Andrea Riseborough has definitively turned into an actress who makes a shot breathtaking just by being in it, and Jennifer Jason Leigh is the best aging acting ace of our time. (08/11/2020)

If anyone is to copy David Cronenberg, then at least let it be another Cronenberg. The apple not only didn’t fall far from the tree, but also fell into the paranoid cyber-thriller genre and even invited Jennifer Jason Leigh along for the ride. The truth, however, is that while the father (in the first half of his creative career) realised his potential through biomechanics and grotesque apparatuses, the son rather keeps the body and technology separate and deals with the connection of minds, not only thematically, but also formally through edited collages and expressive tableaux. (21/02/2020)