BrightBurn - L'enfant du mal

Le tout se base – et s'écrase – sur ce simple concept : « Superman à l’envers ». Brightburn : L'Enfant du mal ne propose ni plus ni moins que ce motif grossier et son action est globalement prévisible et dénuée de surprises. Avec une distribution fade, voire insensée (Elizabeth Banks), et une réalisation stérile, les quatre-vingt-dix minutes de ce film paraissent bien longues. Et pour qu’à la fin, tout le monde sache bien si le gamin qu’on a vu pendant une heure et demie est gentil ou méchant, le générique de fin est accompagné de la chanson "Bad Guy" de Billie Eilish – la goutte qui fait déborder le vase. Michael Rooker n’était déjà pas crédible avec son Cliffhanger que pour en faire une pseudosuite. (16/02/2020)

A unique compilation of screenwriting and directing flaws that carefully whitewash the fact that everything we see is just a narrow slice of the grand concept of "superhero horror". As such, nothing in the film exists offscreen and nothing there has any character. The filmmakers at least acknowledge this by saying that in order to be able to awaken any resonance in the audience at all, they crank up the sound at the right moments and the characters die in pretty decent Aja-esque gore circuses. (21/08/2019)

The anticipated horror superman produced by James Gunn is a nice surprise for me and will not be missing from this year's top list. While most of my colleagues are rather disappointed, it worked perfectly for me as an evil superman origin story, and I didn't mind that it follows a familiar template. It has great pacing, decent actors, decent technical aspects, and once little superman goes on a rampage it offers this year’s two best gore scenes. The finale is nicely paced and I was really surprised at how brutal the film is in the end. I don’t think this year there’l be a more brutal and entertaining horror film, so thumbs up for me and I want to immediately see a sequel with a grown up evil superman! 80% (23/06/2019)

Unfortunately, my fears that Yarovesky isn’t a good director have been confirmed. He was incapable of turning an attractive premise into something more than an average film. The plot arc is exactly what you can imagine when you say “the horror version of Superman”, and that’s all there is to it, Brightburn never deviates from the line you expect. Fortunately, the creators where able to deconstruct the classic structure of the super-hero origin story, but not able to surprise the horror fans. The director couldn’t create any bond with the positive characters that would really interest the viewer, and, as a result, the film never gave me the impression that the creators “want to tell the story of this family”. Throughout, the film just felt like “we want to play with the idea of an evil Superman, and we must have a human mum and a human dad”. But Brandon’s rampage starts relatively late, and only a couple of moments are truly memorable, and what can you do when you are uninvested in the human heroes? When you don’t believe they are viable characters? Brightburn is watchable thanks to its premise, which is cool, really. But what prevails in the end is the feeling of a wasted opportunity. It could’ve been great in many ways: taken more seriously or tragically or, on the contrary, totally bonkers. But this final form is pointless, and shouldn’t have been like that! (23/05/2019)

I feel like this movie didn't offer anything interesting at all. The only twist, a 180-degree reversal of the Superman story in the style of The Omen, is known to anyone who has seen the trailer, and I didn't see any others. I would write that a promising idea went unused, but it's questionable whether it could have been used at all with this approach. It's neither proper horror, nor psychological thriller, nor even entertaining in any way... It's simply not good. (01/03/2020)