Le Seigneur des anneaux : Le retour du roi

Il m’aura fallu sept longues années pour que je parvienne enfin à regarder le film qui clôture cette saga increvable. Peut-être n’était-ce d’ailleurs pas une si mauvaise idée de le regarder avec un tel délai. (27/02/2011)

Tout ce qui rendait les deux films précédents incroyables est deux fois plus fort ici. Un drame cinématographique et une fantastique en un seul. (17/12/2003)

The editing is too brutal, the characterization of the main protagonists changes during the movie, the ending is needlessly tearful and it’s dragged out maddeningly. But who care when there are so many incredibly powerful scenes that you only realize the downsides of the movie long after you have left the movie theater. This time the extended edition is half-way between interesting additional footage like with The Fellowship and a totally different (and better) movie like with The Two Towers. Some of the scenes added are pointless, but many of them do much to augment the movie as a whole. For instance, it is fascinating how a couple of extra sentences manage to give a completely different meaning to things and depth to the tragedy of Théoden’s fate than in the theatrical version. (29/04/2005)

Peter Jackson lives on a enchanted island behind a fog so thick it could be cut. He's a mischievous leprechaun, curious as a monkey... hmm, sorry! Two hours after the premiere and I'm so overwhelmed with impressions that I don't even know what I'm writing. Anyway. What I appreciate most about Jackson's trilogy is not the bombastic visual effects, the massive battle sequences and the perfectly rendered monsters – good visual effects and megalomaniacal stunning shots are not the measure of a good film for me, quite the contrary – what I appreciate about this trilogy is Jackson's work with details, his inventiveness, the way he can turn a seemingly banal situation into an emotionally compelling moment, or the way he leads the actors. Be it, for example, the esoterically charged scenes from Lothlórien in The Fellowship, the gift-giving to Galadriel, the kitschy yet beautiful scene with Arwen in The Two Towers, the subtly conceived scene between Éowyn and Wormtongue and the subsequent tearing down of the banner upon the arrival of Gandalf and co., etc. It would be a long list, proving the great imagination Jackson possesses. Where others would just tell a standard story, Jackson comes up with plenty of machinations that make the film a memorable spectacle. The only problem is that there are so many visual sensations in each episode that you are not able to digest it all in one go and you absorb it only on the second or third viewing. And that’s the issue with Return of the King. The first half left no emotional impact on me. After an excellent beginning with Sméagol, the plot rushed forward too fast, scene after scene, and I could feel very strongly how the editor's hand was in power. Here I believe that the final impression will be considerably improved by the extended version. The second half, however, banished my gloom. Not so much because of the massive battle (which for me is more of an ode to Massive's abilities with lots of computer-generated figures and models, and basically left me cold), but because of the awesome moments, such as Faramir's suicide mission. Then there’s the scene in Mount Doom, Eliah Wood and Sean Astin make it a fantastic show thanks to their acting. The look on Frodo's face, when.....but no, I'm not going to spoil it, and it's a must-see....And that much-criticized final farewell scene? I don't know if I'm the weird one or the others, but I didn't find it long at all, on the contrary it's terribly beautiful, touching and maybe the best of the whole film. (16/01/2004)

Like The Two Towers, it was initially stumbling and torn by "forced" cuts, but over time it’s utterly immersive. While the Fellowship will keep a primate intrigued by its great complexity, The Return of the King triumphs with a massive epic and, of course, a wonderful ending that is rather cheesy, but instead of artificiality and fabrication, it breathes a directorial love of the story and, in particular, realism on the part of actors, who often make up for minor defects in the craftsmanship. In the end, The Return of the King confirmed to me what I had felt before. The effects are nice, but if it wasn't for the heroes, this film would just be an inaccessible piece of ice. But it fascinates and consumes hundreds of thousands of people. A wonderful story in a beautiful garment, Peter Jackson bought a ticket to film heaven... P.S.: after the second viewing, I'm putting The Return of the King at the head of the trilogy. If the film can impress me so powerfully a second time, it's a sign of high quality. Nirvana. P.S.S. The extended version is slowly deserving a sixth star, as even the slightly intermittent tempo and unnatural editing become a thing of the past, the characters get even more space, the plot a deeper motivation, and the traditionally perverted humor of the Gimli-Legolas duo is also there. See and die! (25/01/2004)