Séminaire

  • Suède Konferensen (plus)
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Un groupe hétéroclite d'employés municipaux se trouve aux prises avec des querelles internes et un tueur sanguinaire au cours d'un séminaire a priori anodin. (Netflix)

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Critiques (4)

POMO 

Toutes les critiques de l’utilisateur·trice

français Séminaire est une comédie suédoise assez divertissante, avec des personnages qui ne sont pas très sympathiques mais qui fonctionnent suffisamment bien dans le cadre de l’intrigue. Et avec des meurtres qui, en raison du fait que le film n’a même pas un soupçon d’atmosphère d’horreur, surprennent par leur brutalité disproportionnée. Je salue l’approche du film consistant à ne pas montrer les premiers massacres des personnages secondaires et à les insérer dynamiquement dans les moments joyeux des personnages principaux, dont l’élimination est ensuite montrée plus en détail, ce qui crée au moins une certaine notion de « montée en puissance de slasher ». Et le tout dernier meurtre est un régal, pour lequel je donne à Séminaire une solide troisième étoile. ()

claudel 

Toutes les critiques de l’utilisateur·trice

français On ne se lasse jamais des films de ce genre et moi, je ne suis pas prêt de m'en fatiguer. Le schéma de base reste très simple et toujours le même, mais avec l'exemple de Séminaire, on peut distinguer les différences par rapport à la façon de faire américaine. Les Suédois y ont ajouté de l'écologie, à tel point que j'appellerais presque ça un film d'horreur environnemental. J'ai apprécié l'humour noir et absurde, la réplique du genre « ce cuisinier doit bien revenir à un moment donné, nous aurions dû dîner il y a une heure » me fait encore rire. Un délicieux moment Halloween. ()

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EvilPhoEniX 

Toutes les critiques de l’utilisateur·trice

anglais Solid Swedish flick! Surprise came where you least expected it. I knew next to nothing about The Conference, so I went into the film ignorant, and I have to say that after all the boring and exhausted variations on the slasher genre, satisfaction finally came in almost every aspect. The story is about a team building do in the Swedish woods where things go wrong and an unwelcome guest is waiting. I appreciate the fact that we don't have a bunch of teenagers here, but normal adults, which is relatively rare in the genre, and it made the whole thing feel like it could easily happen. There's a ton of characters to slaughter (I don't even remember seeing such a bodycount in a slasher!). I really liked that with so many people, each murder is original, creative and fun (again, hats off). The killer isn't immortal and he gets beat up pretty bad too, which is great. I liked that he uses the setting to his advantage and you can't deny his ingenuity. He uses just about every conceivable murder weapon imaginable, which again I applaud. The murders are both bloody and decently brutal (some could have been more, but with so many you can forgive a lot). The hot-tub with the lawnmower probably leads the way for me, and the head stitching was decently nasty too. The occasional dark humour works here too, the dialogue between the characters isn't bad and the excellent craftsmanship is to be commended. Great music that adds to the tension, great cinematography and a lot of fun The editing gives it all a nice touch. I don't know why, but while watching it I was a little reminded of my favorite Cold Prey, also by the Scandinavians, and the style of the killer and the execution of the murders seemed very similar. I don't really have any major complaints, I had a great time (If it had more gore I'd go for a full rating on without a second thought). A place in the Top 10 will definitely not pass The Conference by this year. 8/10. ()

J*A*S*M 

Toutes les critiques de l’utilisateur·trice

anglais The plot is certainly nothing ground-breaking, it follows a template, unsurprisingly, as far as the identity and motivation of the villain and the development of the relationships between the characters are concerned. But it fills the “comedy slasher” box pretty much perfectly for me. It invites comparison to Totally Killer, released a week ago, and from that, Seminar comes out as “Totally Winner”. It has sufficiently fleshed out characters and fine chemistry between them, a high body-count and gritty and varied kills. I also enjoyed the directorial creativity, with the wit often coming not just from the dialogue, but also from the framing or editing. It's well done. Probably the most enjoyable genre surprise of the year (admittedly, there weren't many). ()

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