Vampires

John Carpenter a démissionné de l'obscurité et de la tension et s'est dirigé vers la musique rock, le splatter, l'action dure et les répliques cool. D'un côté, il m'a déçu car j'adore précisément ce à quoi il a renoncé, mais d'un autre côté, cette escapade m'a amusé plus que Le Village des damnés. Cependant, pour que Vampires se démarque de la médiocrité grise des films de vampires similaires, ils devraient offrir quelque chose de plus que simplement une caméra en mouvement avec de beaux filtres. Ils devraient fusionner l'aspect humoristique noir et l'horreur de manière plus habile et sensible. Et c'est là que la réalisation de Carpenter échoue. (04/06/2002)

Let’s be real, this is quite embarrassing for Carpenter, but it’s still watchable. Weak three stars, I’m not a fan of this kind of horror B-movie. (19/05/2011)

Slightly above average stuff. Too bad John Carpenter ran out of breath halfway through. Unlike his earlier horror films, this one lacks carefully constructed atmosphere, but there's plenty of blood, violence, dry one-liners and a decent James Woods. Which is pretty cool. (23/08/2002)

Man, that Carpenter must have had some anger issues back then to barf up this unprecedented butchery where James Woods slaps women, beats a priest with a phone, and when he gets around to a vampire he shoots a full clip into his face from two inches away for absolutely no reason. Me gusta! That was also the year that saw another unscrupulous vampire hunter burst into the cinematic ether, namely Blade. Couldn't have been a worse year for them toothy predators. (24/10/2020)

John Carpenter became a filmmaker to make westerns, but by the time he broke through, the genre was almost dead, and his work took a different direction, yet it is very much influenced by the western; Vampires (along with Ghosts of Mars) most of all. And not just with their western visuals of the arid landscape of the American Southwest (or in the case of Ghosts, the arid landscape of Mars). This film is basically a vampire version of Sam Peckinpah's The Wild Bunch. Instead of a bunch of outlaws, there's a bunch of ruthless vampires who also share a mutual respect and a code of their own. The protagonist, then, is a typical Carpenter cynical badass (a surprisingly well cast James Woods), whose angry toughness surpasses even Snake Plissken himself. While most of Carpenter's films were influenced by Howard Hawks, this one is primarily a tribute to Sam Peckinpah. The action scenes are much more frenetic and fast-cut than is usual for Carpenter, and instead of the "bloody ballet" of shot-up cowboys in The Wild Bunch, the film is bathed in a "fire ballet" of vampires exploding in the sun (the central gang literally hunts them like fish, pulling them out of the darkness and into the light, where they burst into flames). Understandably, there are also inspirations for one of Carpenter's favorite films, Hawks' Rio Bravo in the final prison clash, for example. Vampires is a formulaic, repetitive and predictable film. It is by no means scary vampire horror. Instead, you're in for a solid helping of violent, stylishly shot macho action with macho guy lines and a gritty sense of humor. I'll admit that when I saw it for the second time many years later, and I was already treating it like a western and not a horror film, I liked it much better. (01/12/2023)