The Thing

Peut-être suis-je trop sensible aux transformations génétiques des personnes dans les films, mais quand j'ai vu The Thing pour la première fois en tant qu'élève de huitième année, je n'ai pas pu dormir de toute la nuit et j'ai transpiré comme avec de la fièvre. C'était une expérience horrible. J'ai juré que je ne toucherais plus jamais à un film d'horreur. Grâce à cette expérience intense, le genre est devenu plus tard mon préféré. The Thing possède une atmosphère unique d'isolement et de désespoir, parfaitement soutenue par la musique sinistre de Morricone, des effets spéciaux intemporels et une conclusion incroyablement sombre et pessimiste. C'est un film d'horreur précisément dosé qui vous serre lentement la corde autour du cou et qui est du début à la fin une plongée presque existentielle, en plus d'être ponctuée de certaines des scènes d'horreur les plus terrifiantes jamais vues. (04/06/2002)

I don't like horror as a genre, but survival horrors are an honorable exception. And The Thing is almost a perfect representative, apart from the repulsive "gore" scenes, it contains something much more effective – a game with the psychology of the viewer. The principle of placing a group of characters in an isolated place (in this case, the white plains of Antarctica), making it impossible to escape (in this case, a massive storm) and exposing them to an enemy that can hide inside any of them is proven, but nowhere does it work as perfectly as in The Thing. The minimalist screenplay draws attention to the raw atmosphere, the replicas of the characters are more so purposeful, everything important can be seen and, above all, FELT. Something almost physically palpable comes out of The Thing - fear is not felt by artificial props, but by real experience. When the Thing appears, there is almost relief... Real fear is ignorance, insecurity. In short, this is how I imagine the perfect horror about surviving in extreme conditions. And the atmosphere of the polar base is so unique that The Thing probably won't be improved upon any time soon. (27/01/2004)

The story is about a group of American scientists at a research station in Antarctica fighting against an extraterrestrial creature that can take human form. The film’s biggest strength is its superb atmosphere, which relies on the ubiquitous tension and mistrust among the main characters, and it’s amplified by the endless ice plains. But the “beautiful” creature effects are not very far behind and even the orthodox fans of bloody horror will get their fill. The Thing is hands down one of John Carpenter’s best films. (30/08/2007)

A horrifying parade of disgusting special effects with bodies disintegrating and mutating into hideous slimy creatures, the human head with spider legs is very cool. The chilling atmosphere of hopelessness and isolation perfectly underscores everything. We can only thank Carpenter for his bold directorial concept and the distribution company for having the courage to put this into wide distribution in its time. (07/07/2002)

I'll admit this one got me. As always, great atmosphere (I managed to nibble on the Encyclopedia of Fantastic Film while watching it), decent Morricone music, a pretty good Kurt Russell, really good visual effects for its time and above all a brilliant ending. I love this movie! (14/10/2002)