Résumés(1)

The Guilty se déroule le temps d'une matinée dans un centre d'appels d'urgence. L'opérateur Joe Baylor (Jake Gyllenhaal) tente de sauver une interlocutrice en grand danger, mais il est loin de s'imaginer ce qui l'attend. Sa seule issue ? Affronter la vérité. (Netflix)

Critiques (5)

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Goldbeater 

Toutes les critiques de l’utilisateur·trice

français Si vous avez vu l’original danois de The Guilty, ce remake n’a pas grand-chose à vous apporter. Tout au plus pourrez-vous savourer la prestation compacte de Jake Gyllenhaal, bien qu’avec ce type de clone américain sans réelles innovations, ce soit du gâchis. ()

POMO 

Toutes les critiques de l’utilisateur·trice

anglais If you’re familiar with the Norwegian original and thus the whole plot, The Guilty won’t manage to thrill you. Rather, we can just enjoy the presence of Jake Gyllenhaal and compare the formalistic concept, which in this case is livened up with a communication centre’s large monitors displaying Californian wildfires. The intensity of the main character’s explosive mental state is surprising for a mainstream Netflix movie, as if Antoine Fuqua attempted to make up for the original film’s lack of rawness and authenticity. Gyllenhaal tries hard and everyone knows that he is capable, but the degree of focus on his character is almost superficially overwrought. We don’t know the character and his good human qualities enough to sympathise with him. ()

3DD!3 

Toutes les critiques de l’utilisateur·trice

anglais A thriller... and a cheap one. Gyllenhall savors the ambiguous character of an emergency line operator who gets a call from an abducted woman. With a computer and head set in the supporting roles. I haven’t seen the original and don’t know how much Pizzolatto changed, but the dialogs and twists are very good with the suffocating Covid atmosphere. Calling over the phone and face to face contact just aren’t the same! One day I might watch the original Danish version. ()

D.Moore 

Toutes les critiques de l’utilisateur·trice

anglais An intimate and such a well written film that it seemed to me almost like an adaptation of a very good radio play. I didn't see the original, so I was able to be (for an hour and a half) tense and wait to see what came out of it, because from the beginning something suspicious hung in the air in that strange night atmosphere. Jake Gyllenhaal is great and the point was successful - given that and the overall tone, I understand why the Americans needed to make (remake) this film and at this time. ()

Remedy 

Toutes les critiques de l’utilisateur·trice

anglais If you're not familiar with the Danish original and were lured in by Jake, you'll probably enjoy this. For those familiar with the original film, it's a complete waste of time that, with complete (and totally irrelevant to the plot) exceptions, just dully copies the excellent original. Unfortunately, Jake Gyllenhaal overacts at times and falls far short of his highest acting qualities as in Prisoners or Zodiac. [55%] ()