Les Dents de la mer

Voir Les Dents de la mer au cinéma, et paradoxalement plus loin de l'écran, m'a peint le tout sous un jour différent. Cela met en valeur la composition globale de l'image, qui est déjà un chef-d'œuvre artisanal de Spielberg à cette époque (ce qui est aussi vrai pour son film précédent Duel). Mais Les Dents de la mer offrent également un plaisir cinématographique pur ainsi que le portrait des personnages et de leurs relations, qui apportent une histoire à un film à intrigue simple. Sans parler de l'habileté du réalisateur à créer du suspense. Vous êtes le premier dans l'histoire du cinéma à réaliser un film de grande qualité sur un requin tueur, sur une plage provinciale inconnue où il n'y a pas de potentiel d'attractions locales, vous n'avez qu'un vieux bateau et un requin mécanique, et vous réalisez un film aussi compact, divertissant, ludique et effrayant ? Steven l'a fait. Mais il avait tout de même un soutien céleste dans cette entreprise, et Dieu merci pour elle, pour l'ensemble de sa filmographie : John Williams. JEREMIE (07/02/2019)

My friend told me how during the scene where the human head appears, everyone in the cinema jumped so hard that one row completely collapsed (you know, old cinema, joined wooden seats, you don't see something like that in a multiplex), I think that says it all… The model of the shark didn't work as it should, and that's why Spielberg opted for hints in the first half. And he did well, the human imagination is often much more frightening. (13/04/2003)

The series of Spielberg's projects, which made the director famous, no longer excites me today, but if I had to name a title that I consider crucial in his early creative period, it would be Jaws. Spielberg showed himself to be a great storyteller here, who masterfully worked with tension and human fear of the unknown. From a basically very simple plot, he made a gripping genre film that could become a textbook for aspiring filmmakers, and a number of scenes still amaze today with the filmmaker's impressive cleverness. I consider the underwater scenes filmed from the shark's perspective or the view of the fisherman on a broken pier particularly well-crafted, as he experiences a transformation from the hunter to the hunted in a split second. Overall impression: 90%. (04/11/2014)

The best Spielberg. When I watch Jaws, I realize how incredibly strong tension can be built in a seemingly unobtrusive way, through the construction of mise-en-scène and the choice of editing techniques, and how the viewer's attention can be guided in such a way that every single scene has the most intense effect. The key is the work with hints and communicating information through simple visual motifs, which manifests itself in the generally diabolical escalation of the terror of the approaching creature and the unrelenting pace of the narrative, particularly in the legendary second shark attack scene, which truly belongs to the hall of fame of the best filmmaking sequences in history. In it, Spielberg, through Sheriff Brody's nervous glances, repeatedly pitches us possible victims of the attack, with the shark's presence confirmed by the sudden disappearance of a dog whose owner calls in vain, and the camera showing us only the frisbee it was supposed to fetch. The already nerve-wracking situation is intensified by the invisible cuts, catalysed by characters crossing in front of the lens, and the tension culminates in a switch to a point-of-view shot of a shark and the famous transfocation raid on Brody, a moment at which I sweat out all the beers from the previous evening every time and my cinephilic self descends into hash ecstasy. And that's somehow how the overall division into two distinct halves works – the first one hints, in the second we see a lot of the shark, and the tension is maintained by alternative directorial techniques (barrels), impeccable dialogue (Quint's narration is directly devoured by the viewer), amazing music, and indescribably effective timing, bordering on sheer shock at times (if the scene described above makes me ecstatic with hash, SPOILER!! Quint's death puts just about every stimulant in the world into me). Perfection, after this you just can't swim peacefully in the sea anymore..... Yeah, and I don't do drugs, it was just symbolism :D (18/04/2011)

An unequal duel between a cute cartilaginous fish and the evil mammals who occupy its until now peaceful home. Fortunately our Kafkaesque nameless hero doesn’t give up and with all his might he protects his holy right to freedom and to life in general. It is unbelievably easy to identify with this nice guy and there are countless heart attack moments when you fear for him as if he were you. After seeing this movie you’ll never want to get out of the water back to that despicable human vermin. Shame on us! (11/02/2008)