E.T. L'extra-terrestre

Le monde des émotions créé ici par Steven Spielberg est capable d'être créé par un génie. Il a caractérisé "les méchants" de manière simple et pourtant saisissante (musique sinistre + trousseau de clés), sans même avoir besoin de regarder leurs yeux et en abordant tout du point de vue d'un enfant... seulement un réalisateur né pour ce métier peut le faire. Cependant... Bien que j'ai vécu toute l'histoire d'E.T. avec tout mon cœur et versé plus d'une larme pour lui, il me manque toujours quelque chose de plus que le simple sentiment sincère. Quelque chose de plus élevé, plus profond. (20/05/2002)

Spielberg is a director who can work wonderfully with human emotions and has the gift of creating a perfectly tailored family spectacle. He has kept a sizable piece of the romantic boy inside him, who never stopped loving fairy tales and simply started fulfilling his childhood dreams and visions as an adult. His E.T.: The Extra-Terrestrial is a fairy tale with an idealized visitor from outer space, the kind that many children want to meet. A decent screenplay, a suitable budget, and careful direction make E.T.: The Extra-Terrestrial a timeless spectacle, where both children and adults are moved by the alien visitor. Additionally, at the time of its creation, it was a fascinating visual spectacle. Overall impression: 60%. (05/01/2010)

That's right, when you don't remember anything and you're addicted to the digital atrocities of contemporary cinema (most of the FilmBooster users), you can't relate to a film like this. Taking inflation into account, it's the 4th highest grossing film of all time, but what makes E.T. the Extra-Terrestrial the most important film of the 80s is the response it got. A fairytale that brought everyone to tears in the cinemas, regardless of age (I witnessed it myself, even my tough father cried :o), at one time there was almost nothing else to talk about among people (only Sandokan and the series I, Claudius had a similar response in our country during the Bolshevik era), and a doll of E.T. was a must-have for every Czech family, and not only Czech – and I’m not even counting the failed movie clones that followed it. Simply, this film is a big phenomenon and anyone who says otherwise is lying. What’s most remarkable, though, is that it still works today (I have confirmation after today's Blu-ray screening). The way the whole film is essentially conceived from a child's point of view by the eternal child Spielberg, where we don't see the faces of the adults for the first two-thirds of the runtime (except for Elliot's mom, of course), the timing of each scene, and the gorgeous music by John Williams all make this film a unique affair that – unless you're a cynic, a jerk, or both combined – will bring you to tears at the end, too. (09/03/2014)

There is no other film in the world that so purely and beautifully shows the mood of its creator as E.T. Spielberg spent his childhood more or less without a father, as a rather asocial dork from the suburbs, with his mind drifting to the stars – those in the sky and those in Hollywood. E.T. is his personal confession, a sentimental return to a stage in his life when it was easier to tell important values apart and to define right from wrong. It’s a brilliantly directed story about the fact that important things must persist in the human heart, even though fate takes them away irretrievably. A film with so many inventive techniques (a good two-thirds are only from a child's perspective), real emotions and beautifully staged scenes (the arrival of the "bad guys" in the house and the play with lighting, the romantic kiss and the play with cross-cutting and character positions, the flight over the moon, etc.) that there is no time to breathe. A film with a huge heart and probably John Williams's best soundtrack. A film with a capital F that you have to love. You just have to… (28/06/2018)