Thor: Love and Thunder

The hysteria around this film it’s pointless, I didn't find it any worse than Waititi's previous entry. It's almost heretically disrespectful to the comic book genre, it doesn't take itself seriously at all, and as someone bored to death with most Marvel movies who sees the whole of Phase 4 as a degradation of everything the entire Marvel universe stands for, this film actually made me happy. No one speaks seriously, no one delivers pathetic speeches, and if anything, you can feel Waititi's irony in it; Gun´n´Roses gives it the right note of rebellion, and the annoying goats that a lot of people complain about take up only minimal space. Bale's Gorr is great, he has a believable dramatic arc, and Russell Crowe and his lard-soaked character finally got a meaningful use, I enjoyed his Zeus a lot. Normally I'd give 3*, but I'm rooting for crazy nerds like Taika, cinema needs people like him. (25/09/2022)

Too much of the same in Waititi's delivery. What was fresh last time has now become annoying. It's like a five year old directing, just cramming all the ideas in, not realising that if he gives a joke three seconds after a fateful scene, he'll be killing the whole thing. That said, we have a potentially very interesting bad guy, and even Thor's relationship with Jane Foster has some interesting depth. I remembered that video from The Onion featuring Chris Morgan, the writer of Fast and Furious, and he was a five-year-old boy. This is exactly the same thing. Waititi is having fun, his stars are having fun, and I'm bored because the movie, despite a ton of action, a lot of humor, and some strong emotional scenes, is neither engaging, nor funny, nor ultimately interesting. When Marvel first rolled out, I had a terrible time watching each film try to at least partially grasp the genre. Captain America: The Winter Soldier was at its core an old-school spy thriller, Iron Man a techno thriller and Thor honest-to-goodness fantasy. Now all that gone. Now it's just a movie by Taika Waititi, a director who can't give a film any dramatic shape. And he can't even manage not to be ironic and not cut his own scenes. Instead, he crams flying goats and has them scream hilariously about twenty times. Most of the time it was all slightly embarrassing. (07/07/2022)

Phase 4 is without a doubt Marvel’s weakest – Black Widow, Eternals and Dr. Strange are all mediocre comic book movies and it shows in the ratings (the days when every new Marvel movie was in red are over). The new Thor may not be a revolution, but it is definitely the most fun and the best of the aforementioned three. I would have preferred to see someone other than Taika Waititi in the director's chair, his style doesn't suit me that well, I wasn't too keen on Ragnarok either, probably because it was too similar to Star Wars, but I enjoyed Love and Thunder. The plot is simple and it doesn't bring anything particularly interesting to the MCU universe, which is a bit disappointing, but as a fun, colorful, funny and effective blockbuster it works reliably. The chemistry between Hemsworth and Portman is awesome, Christian Bale plays a solid creepy villain for the first time in a long time in a Marvel movie, Gorr the God Butcher. He stole all the scenes to himself and added some darkness to all that colour. The humour is rather juvenile but there were a few laughs (Korg and the goats were the most entertaining – their roars always made me laugh). the music was also good and the emotions work in the end. The action isn't exactly spectacular and it's not my style, but it suits the film. (I have no idea if I will ever get more intimate and contact action like in Captain America: Winter Soldier). I was disappointed with Russell Crowe as Zeus. Story 3/5. Action 4/5, Humor 4/5, Violence 0/5, Fun 4/5 Music 5/5, Visuals 4/5, Atmosphere 3/5, Suspense 3/5, Emotion 3/5, Actors 4/5. 6.5/10. (07/07/2022)

An even bigger Thor: Ragnarok than Ragnarok itself. Overloaded action, 80s explosions, workable pathos, and a standard of taste trampled somewhere in the dirt. Thor has found the utmost limits of self-parody in his quest, and even though the public doesn't need to know him like this anymore, I couldn't be happier. It was a bold choice to alternate between the most infantile lines, the almost melancholic mood, and a theatrically demonic enemy, one that's not worth trying to overcome because it might not even be possible without disrupting the entire concept. (29/12/2022)

Dads and their daughters will love this movie. As will hard-ass homosexuals and superhero lesbians. Taika Waititi takes all contemporary popular trends, then shakes them up and stirs them, making fun of them all. Sometimes good fun and sometimes even better fun. And then they add goats, whose audio is reminiscent of Natalie and Tessa’s Annihilation, a load of big-headed gods who behave like they are in the House of Representatives when TV coverage goes dead. Bale’s Gorr is the powerhouse of this movie; at the beginning he’s moving, in the middle surprising and funny, and in the end every daddy ends up with his head in his hands, wiping away a tear. Both of the first Thors are fine and Love and Thunder brings a good conclusion to the romantic storyline of the first two movies. Hemsworth is now in great form, after working out with the Guardians of the Galaxy, and Portman enjoys her role much more than before. Ragnarok was better and more consistent, but this is even more playful and out of control. If it’s going to be anything like this, I’m really looking forward to the sequel... But expectations difficult to live up to. (06/07/2022)

It's a complete mess with a polymorphous narrative structure, where everything is being slaughtered. Unfortunately, that also applies to the visuals. It's clear that Waititi is primarily a toymaker and it doesn't matter what happens on screen, what's important is how it looks and if it's funny, even with Christian Bale putting himself forward as a potentially interesting villain. It looks average, it's funny only sometimes – like 5 or 6 good lines and gags and then when Russell Crowe enjoys his cameo as a chubby Zeus, and conceptually it's still the same, give or take. The next installment will need a different director, unless the producers plan to dump this god altogether. (23/07/2022)

Forget about Raimi’s Doctor Strange. Yes, this Thor may be mostly colourful and goofy at first glance, but Taika Waititi is such a stud that he doesn't have to give up his style to tell a serious story that will be very important to Thor again, and that will fail to touch perhaps only audiences with a heart more stony than Korg's. It'd be a shame to give anything away or imply anything, because the trailers are far from revealing everything. But it's a joy to see Marvel back in full force, which means a brilliantly shot great story (compared to the aforementioned Strange, it's not only funnier, but even more horrific and has the perfect villain), whose end credits make it clear you're not going to get bored of it. (08/07/2022)

Je dirais plutôt « Thor: Laugh and Thunder ». L’alternance entre thèmes sérieux et humour pour bambins faisait peut-être illusion dans Jojo Rabbit (personnellement, je trouve que le film n’était pas fonctionnel), mais ici, Taika Waititi et son style nous tapent franchement sur le système – un peu comme un clown sous champis dont on se débarrasse à une fête d’enfants et qui revient sans cesse en passant par la fenêtre. L’un dans l’autre, le nouveau Thor ne fonctionne ni sur le plan de l’humour ni sur celui de la dramaturgie. Sur ce dernier point, les efforts ici ne dépassent pas ceux des autres films Marvel de ces dernières années, avec des motifs désormais répétitifs et pour lesquels on peut apprécier tout au plus le fait que c'est coloré et que ça bouge. Et encore… (08/08/2022)

Taika Waititi's first Thor film (the third) was quite different from its predecessors thanks to its distinctive and unmistakable directorial approach, and Love and Thunder is no different. The lover of vampires or alternative Hitler gets creatively unleashed again and serves us a two-hour dose of wacky humour, sweet romance and heroic adventure. It has many references to previous MCU films, pop culture and mythology, all wrapped in the director’s typical style of parody. In some places, the humour was perhaps too much and missed the mark, but in the end I had a great time in the cinema. There were also some touching emotions, mainly due to the line with Jane, but also with Gorr, who was indeed a multi-layered villain. You could sense that everyone involved must have thoroughly enjoyed the filming. The Guardians of the Galaxy were more of an afterthought, but at least we could focus on the main Thor-Jane and Thor-Gorr storylines. Love and Thunder has, as I mentioned, many wonderful ideas like the bawling goats, the spawning of "little Korg", the dramatization of Ragnarok (Melissa McCarthy as Hela killed it), or the gods’ assembly with a horny Zeus. I also liked the art of the duel in Shadowland and the visuals of Gorr's monsters. The first end-credit scene teased a possible sequel, so I'm curious to see if Thor will see another film. (07/07/2022)