Un homme à part

Je reconnais que le scénario est un plagiat de tous les films possibles de Seagal. Mais je ne supporte pas à quel point le film est lent, fade et à quel point il pleure pour un personnage plus profond de Vin Diesel. (25/10/2003)

If Seagal had been at least a little in form, then he certainly would have acted in this. A mediocre crime movie about a vengeful cop, perfect for the TV screen. A little invention in the clichéd screenplay and shorter running time would have benefited this movie at least a little. The actors are bland, the directing too, the screenplay is horrific, but you will suffer no harm watching it and it isn’t at all ridiculous, just terribly mediocre... (05/08/2005)

Not such a big fuss as I feared, still too exhausted and excruciatingly clunky when it comes to explanatory passages. The only reason for a possible viewing remains the obvious and rough Vin Diesel, always playing the same face, and it still works. His charisma and skill in dealing out punches, bullets, and one-liners made me decide not to shoot the avenger in the super awkward scene of a home celebration. (01/04/2006)

The best part of the whole movie is probably the one-minute sequence in the opening credits, it looked interesting and promised a suspenseful crime drama. The final effect, however, is rather weak. The plot is chaotic, with one lapse in logic after another, and the whole thing feels like a stew of multiple genres. (14/03/2005)