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Academy Award® winner Ron Howard returns to direct the latest bestseller in Dan Brown's (Da Vinci Code) billion-dollar Robert Langdon series, Inferno, which finds the famous symbologist (again played by Tom Hanks) on a trail of clues tied to the great Dante himself. When Langdon wakes up in an Italian hospital with amnesia, he teams up with Sienna Brooks (Felicity Jones), a doctor he hopes will help him recover his memories. Together, they race across Europe and against the clock to stop a madman from unleashing a global virus that would wipe out half of the world's population. (Sony Pictures)

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Critiques (9)

Ivi06 

Toutes les critiques de l’utilisateur·trice

français Ceux qui ont lu le roman seront probablement très déçus. La chasse au « trésor » a l’air terriblement facile. Le livre est bien sûr plus complet en ce qui concerne la découverte des indices cachés et l’explication de leur nature. De même, les personnages y sont dépeints de manière beaucoup plus approfondie. Ainsi, dans le film, il semble vraiment ridicule que Langdon soit sauvé par un médecin qui possède par hasard des connaissances similaires aux siennes, et qui comme lui comprenne tout, tout de suite. Le décodage des indices est vraiment très rapide et dans l’ensemble, il donne presque l’impression d’être secondaire, alors que c’est ce qui devrait constituer l’essence même du film ; après tout, c’est probablement ce que le public apprécie le plus. Ici, le spectateur n’a pas d’autre choix que d’acquiescer et de déclarer : « D’accord, si vous le dites… » D’un autre côté, je comprends qu’on ne puisse pas tout faire tenir dans un film. En tant que film d’action, ce n’est pas mal, mais pour une trame romantique additionnelle complètement inutile et pour la fin, je baisse la note d’une étoile. ()

novoten 

Toutes les critiques de l’utilisateur·trice

anglais Ron Howard diligently pushes grand shots even where the viewer wouldn't expect them, and strives to make us forget about how formulaic the whole series feels. The supporting characters unnecessarily dilute the attention, and Felicity Jones' lukewarm performance doesn't help either. But what's even sadder is that even after a long break from Angels and Demons, it's clear that the screenplay is just trying to pick out the better ingredients from that and from The Da Vinci Code without adding anything new. Despite Tom Hanks' still surprisingly vibrant performance, my score remains below average, and I remain confused by this mishmash until this day. ()

Annonces

Malarkey 

Toutes les critiques de l’utilisateur·trice

anglais Whether it was The Da Vinci Code or Angels & Demons, these were adventure films that I felt respected the book they were based on. But Inferno pretty much wipes its own ass with the book it’s based on and I can’t understand at all how Ron Howard could have let this happen. I mean the previous films essentially stuck with the idea of the books. In this movie, not only do they not stick with the idea of the book, they essentially completely reversed it so that it would serve the interest of the movie. And I’m sorry about that, really really sorry. Because Felicity Jones has a great character to play in this one. And maybe I see it this way because I simply grew to like her as an actress. But as a whole, I cannot but complain. Inferno is not a good movie. And it would still be average even if I wasn’t familiar with the book. I didn’t like the editing. I didn’t like that the structure of the plot was essentially the same as in the previous films and I didn’t understand at all why the film refers to Dante’s “Divine Comedy” when, at least according to the film, it has no effect on the main idea of the film. And if there is an effect, it’s very fringe. So, personally I think that Inferno is the worst film adaptation of a book that I have ever seen. And seeing all the things that are behind this film makes it even worse. ()

Isherwood 

Toutes les critiques de l’utilisateur·trice

anglais It’s without a proper conspiracy subplot that would make news website readers' libidos harden, but with the futile plot of a nickel-and-dime thriller, with Howard making Langdon into Bourne and the viewer, even in the back row, an asshole who needs to see flashbacks 5-7 times. The exceptional stupidity is underlined by the fact that it takes itself seriously to the last symbol. If this were a lone wolf, not a member of a trilogy, I'd consider it decent sabotage from Howard. ()

Zíza 

Toutes les critiques de l’utilisateur·trice

anglais I had no idea Hanks needed the money to be willing to star in something like this. But maybe he did it for charity. Or to give a history lesson. Or for the symbolism of it... Actually, it's pretty much about nothing. If you want action, this isn't it. If you want someone on the run, maybe it could be worth it. But if you want someone on the run, during which he has time to spout a lot of fine-sounding nonsense, then this film would be recommended. And then there's the part with the virus. How do you feel about a virus? Like one that wipes out a large part of humanity? Then I can't recommend it in that case, either. The cinematography is poor, the script's weak because the subject matter was weak. I don't think there's much to be done here. The acting is standard for such a B-movie (?). Somehow they'll get you through the dirt. A very weak 2 stars. ()

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