The Forest

  • États-Unis The Forest
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An American woman, Sara (played by Natalie Dormer of Game of Thrones and The Hunger Games), journeys to the forest in search of her twin sister Jess (also played by Ms. Dormer), who has mysteriously disappeared. Frustrated at Jess' pattern of behavior, Sara's husband Rob (Eoin Macken of The Night Shift) is unable to talk his wife out of making the 6,000-mile trip. After a visit to the school where Jess teaches, the resourceful Sara sets out for the forest itself. Accompanied by a charismatic new acquaintance, expatriate journalist Aiden (Taylor Kinney of Chicago Fire), she enters the forest having been well warned to "stay on the path." Forest guide Michi (Japanese star Yukiyoshi Ozawa) keeps a protective eye on them both, but when night falls he cannot dissuade them from staying in the forest, and reluctantly leaves the duo to face the elements alone. 
Fear soon fragments Sara's consciousness; she begins to question Aiden's motives, including his claim that he has never seen Jess. Determined to discover the truth about her sister's fate, Sara will have to face the angry and tormented souls of the dead that prey on anyone who dares come near them. These malevolent spirits lying in wait for Sara at every turn will plunge her into a frightening darkness from which she must fight to save herself. (texte officiel du distributeur)

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Critiques (4)

POMO 

Toutes les critiques de l’utilisateur·trice

français Le scénariste lui-même ne savait probablement pas distinguer les scènes issues de l'esprit de l'héroïne de celles issues de la réalité. Ou du moins, quelles scènes avaient une influence sur la réalité et si c'était le cas, quelle influence. Tout comme il ne savait probablement pas ce qui se passait exactement à la fin. Le film cherche à effrayer avec des interventions fantomatiques à la manière de la version américaine The Grudge, le thème des esprits en colère des suicidées de la forêt est lui aussi emprunté aux originaux japonais Ju-on: The Grudge. Mais il lui manque de la clarté et un équilibre entre la réalité, les démons de l'enfance et les illusions effrayantes dans la forêt, ainsi que, étonnamment, la finesse visuelle de la caméra et du montage, à laquelle nous sommes habitués avec les bons films d'horreur. Ce petit en-cas médiocre gaspille le potentiel élevé du sujet (cette forêt des suicides existe vraiment au Japon). ()

J*A*S*M 

Toutes les critiques de l’utilisateur·trice

anglais The Aokigahara Forest caused visions not only to the main character of this film, but also to me, the viewer. While the screen was showing an average, unambitious American horror film, what I saw was mainly the squandered potential and the fog-shrouded, excellent film that could be made on the basis of that place. But for that, Jason Zada would’ve had to try a little harder and build things on something more than several, and to a great extent cheap jump scares; to play with heavy paranoia, anxiety and insecurity. Or to al least find a somewhat scarier place, because the pine forest they’ve used is actually antiscary. Even that would be enough, see for example the recent The Hallow or The Witch. But, even though I’m rather critical, the horror year of 2016 could have begun a lot worse. This is just about nothing. Watched, standard, carry on. ()

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kaylin 

Toutes les critiques de l’utilisateur·trice

anglais The Forest is a film with great potential, a film that could create a place for legends, not only in real life but in the film world as well. And although the filmmakers tried very hard to make it have the right WTF effect at the end, unfortunately, the excitement doesn't really come, and it's pretty gross in places. There is not a single character - except perhaps the Japanese ones - that I like in any way. Very much a missed opportunity. ()

Necrotongue 

Toutes les critiques de l’utilisateur·trice

anglais The only mystery about this film is why it’s supposed to be a horror movie or a thriller. For me, the beginning was a boring and protracted preparation of a future victim for what might happen to them while running around the woods, followed by some similarly tedious running around the aforementioned woods, complete with predictable jump scares and an even more predictable ending. Now that I know what the Japanese wells and forests can hide, I can’t wait to see what’s next to come. Some sort of a mysterious cave or stream perhaps? ()

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