Résumés(1)

Les inspecteurs Christopher Danson et P.K. Highsmith sont les meilleurs flics de la ville. Ce sont des héros que rien n’arrête. Leurs collègues vont même jusqu’à se faire tatouer leur nom. Mais dans la police, il y a les cadors… et les autres, comme Gamble et Hoitz, deux petits inspecteurs sans envergure, toujours dans l’ombre, au second plan sur les photos. Pourtant, un jour ou l’autre, chaque agent rencontre l’occasion de passer à la postérité. Lorsque Gamble et Hoitz se chargent d’une affaire apparemment banale, ils se retrouvent vite au cœur de la plus grande affaire criminelle que la ville ait connue. C’est la chance de leur vie, mais ont-il vraiment ce qu’il faut pour la saisir ? (Sony Pictures Releasing France)

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Critiques (7)

POMO 

Toutes les critiques de l’utilisateur·trice

français J'apprécie l'humour sec de Will Ferrell, son personnage de Ron Burgundy et ses rôles secondaires dans les comédies de Frat Pac (Stiller, Vaughn, Ferrell, Wilson, Carell...) que j'apprécie beaucoup. Mais ce film est un exemple (j'espère temporaire) de déclin scénaristique et de réalisation. Même les scènes d'action qui ne nécessitent pas de travail avec les acteurs et de mise en place des dialogues sont désastreusement confuses ici. La deuxième étoile est seulement pour Eva. ()

Isherwood 

Toutes les critiques de l’utilisateur·trice

anglais It’s really too bad that the considerable portion of brilliant jokes (the opening action, the fork on the table) is matched by a larger pile of fatal awkwardness (the partner etudes), which is mercilessly apparent during the two-hour runtime. Ironically, it's a parody in the style of The Naked Gun, where everything was handled with a ruthless stone face instead of theatrical goofiness. Honestly, though, I think if Ferrell and Wahlberg switched roles, it would have worked better. ()

Annonces

3DD!3 

Toutes les critiques de l’utilisateur·trice

anglais Incredibly cringeworthy, incredibly cool. Stupid wise-cracks that tickle your funny bone and, at the very least strange situations with solutions so illogical they take your breath away. The plot is essentially pointless, but you never stop having fun. And the opening with Danson and Highsmith is great. The finale is stolen from my own Grand Theft Auto escapades. Whoa, your hair's soft! ()

D.Moore 

Toutes les critiques de l’utilisateur·trice

anglais Yes, some people are satisfied with the small things in life. Would you like to know what I expect from a relaxing comedy? Well, for example, a minimum of boredom, a script full of jokes of all kinds, actors who can handle them, pace, swing and at least a little bit of skillful direction, if the comedy is also supposed to include a bit of action... The Other Guys has all that. I have to admit that I was very pleasantly surprised by the well-chosen and well-acting duo of Wahlberg and Ferrell (the dialogue about lions and tunas is the best). Michael Keaton as the "Captain" was also good, I would never dare to say anything against Eva Mendes, I like Steve Coogan more and more, and as for The Rock and Samuel L. Johnson - well... The only minus is that it could have been about 15 minutes shorter. Three and a half stars - however, I will boldly round up. ()

DaViD´82 

Toutes les critiques de l’utilisateur·trice

anglais As absurdly moronic as a flying peacock with a broken hip. At times it's as funny as few other things, but mostly rather as mediocre as anything. It's just a disposable piece of crap, but thanks to the closing credits it is one of the most socially engaged political appeals of the year, or what is Michael Moore doing? ()

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