Sans identité

Perte de mémoire, Berlin hivernal, agents secrets, courses-poursuites en voiture, femme fatale froide, cheikh arabe, chauffeuse de taxi fiable et sympathique, scientifique génial, puissants manipulateurs en coulisses, tueurs à gages, retournement imprévu. Et aussi un casting fantastique. Tout cela est présent, mais seulement dans une forme recyclée et parfois surpayée. Dans son précédent film "L'orphelin", Serro a réussi à jouer avec les clichés du genre, mais pas ici. La seule scène mémorable du film est la rencontre glacialement atmosphérique entre les talents d'acteurs de Bruno Ganz et de Frank Langella. (01/05/2011)

Un excellent thriller dans lequel jouent deux de mes acteurs préférés : Liam Neeson et Diane Kruger. Le suspense est bien amené, le scénario est bon et, pour moi, la fin était surprenante. Diane Kruger confirme son immense talent linguistique en jonglant avec les accents, sauf qu’il y a une scène pour laquelle il n’est pas venu à l’esprit du réalisateur qu’outre l’anglais parlé dans un accent balkanique, elle aurait dû aussi garder son accent quand elle parle allemand ! :-) Mais ce n’est qu’un détail sur lequel on fermera les yeux. (05/06/2011)

A step backwards from Orphan, though it looks very promising at the beginning. A Hitchcockican hero with the world turned against him wanders around in snowy Berlin, trying to figure out who he is. And when he does figure it out, everything goes to hell. A decent thriller, but it had a lot more potential. (31/05/2011)

Unknown doesn't come up with groundbreaking or new. By unraveling the puzzle surrounding the main character's identity(ies), it additionally brings back into play one recent fashion wave, BUT... Jaume Collet-Serra proves once again, after the brilliant Orphan, that his first film was a necessary evil for its time in order for him to enter Hollywood, and only now can he show what all is brewing within him. I won't lament the plot, which again follows a template that has been seem many times. Serra has a way with actors that is absolutely perfect, and his baby works especially when he’s playing the paranoia card. The ending, however, offers something that has not failed to amaze me of late. That something is the current acting position of Liam Neeson, who, on the verge of sixty, has switched to the role of uncompromising action hero who hides under the guise of civilian ordinariness, only to shoot accurately and deliver a hard hits at the right moment. His ruthless charisma permeates the entire film and makes you forget that it doesn't fit the logic in places. PS: The extremely kind Arab sheik and a former Stasti member as positive characters? :) (27/05/2011)

Many reviews here mention something about a (dumb) punchline suffering from lapses in logic. Quite on the contrary, I think that the story logically (whether or not clever, is a different matter) links and smooths out apparent over-complexity and lapses in logic with something that makes sense, but you must bear in mind that this is a genre movie not pretending to be anything more, so it would be naive to expect anything sophisticated à la Hitchcock. And it works fine, the same as the story in the last thirty minutes. When you add to this the uncompromising Neeson, the snowy atmosphere of Berlin and the great car chases, then... You simply have a quality genre movie. (03/06/2011)