Wheelman

Une solide montée d'adrénaline avec le bruit robuste des machines BMW et Porsche enragées, un tir précis et une bande de voyous qu'on ne voit pas beaucoup, mais qui va donner du fil à retordre au voyou principal lors d'une promenade nocturne stressante. Plus simple et plus direct que le film psychologique Locke ou l'artistique Drive, mais nourrissant et captivant tout au long de l'action qui se déroule presque exclusivement dans la voiture. L'originalité visuelle et l'immersion plus profonde dans la situation du personnage principal sont soutenues par des prises de vue exclusivement à l'intérieur de la voiture ou pendant les déplacements sur son capot. (29/07/2020)

Locke meets a successful variation on Getaway (2013) or more earthy (Baby) Driver, in which the form does not crush the content. And even the form is not that bad. It more that well gets by only with one night, empty streets, interiors of two cars, completely unused hands-free set and a stubborn Grill. The concept is so minimalist that there´s a risk of becoming bored of it. Fortunately, Rush is aware of this risk and so he chose more than reasonable footage and pace, i.e. so no worries, you won´t be annoyed. (23/10/2017)

A suspenseful genre piece that almost never leaves the vicinity of the car, with the great Grillo in the main role. In places, this reminds of Spielberg’s Duel with its uncompromising atmosphere. Moreover, it’s excellently written and the story seems believable; that doesn’t often happen in the movies of this day and age. An unexpected wowza. (03/12/2017)

Quite an enjoyable action ride, which shows that Netflix is quite keen on keeping its viewers entertained, sometimes with simpler films that have a pretty good form. In this film, we're basically in or around the car all the time, which is what gives it the right drive. The plot is probably not surprising, but it’s also not downright boring. (13/02/2018)