Takers

Essai d'être plus dynamique, plus actionné et moins psychologique Heat. L'idée d'une fusillade clé à l'hôtel est clairement empruntée à True Romance, mais filmée et montée sans intérêt (contrairement au voleur visuellement attrayant de Smokin' Aces). La fin est cliché et insatisfaisante. Malgré cela, c'est assez agréable tout au long, avec une touche A pour le casting (qui aurait probablement mérité un meilleur résultat). En DVD pour une soirée en week-end, mais ce ne serait pas le meilleur choix au cinéma multiplexe. (30/08/2011)

In the context of superficially polished heist styles, it's actually the absolute peak, and you can't ask for more. Sure, you may want a plot that doesn't borrow from everywhere and characters who are more than just uncompromising muscle heads, but every once in a while, it is possible to survive one of these. This is especially true if you assemble a high-quality group of proper actors off the bench. [PS: If the quality of the director's films maintains a continuous rise over the same time span, we can look forward to a top-five hit in 2020. :-)] (15/01/2011)

Slick nonsense that fortunately isn’t boring and Idris Elba is the boss. The screenplay is a disintegrating attempt at innovation of the robbery genre, but it fails in all those most important areas. Seeing as it’s just a PG-13, the action is pretty decent, the cars are super and the suits are more stylish than the clowns wearing them. Matt Dillon tries hard, squeezing the maximum from his role, Hayden may have an awful hat here, but he can handle himself in the action (the C4 buying scene), and although Paul Walker doesn’t give us any more than his standard, damn - it’s Paul Walker! A punier buddy of Ben’s The Town. (29/12/2010)

A very stylish, polished, and very wannabe cool spectacle. But Robert De Niro in Heat, didn't really care whether he would wear an Armani or Hugo Boss suit for the bank heist (thank God). Idris Elba is excellent. I don't understand PG-13 rating, it completely killed the film. (14/01/2011)