Course à la mort

De l’eau a coulé sous les ponts avant que je ne me décide enfin à rédiger cette critique et je réalise que j’ai presque tout oublié de Course à la mort. Et c’est tout à son honneur étant donné qu’il a parfaitement rempli sa mission de divertissement amusant et relaxant qu’on peut ensuite jeter et oublier. Il ne fait donc pas partie des films d’action inoubliables qui finissent par se tailler une place parmi les œuvres cultes. (15/12/2011)

Anderson's unacknowledged adaptation of Carmageddon and the admitted remake of Death Race 2000. If Death Race were not so bitter and humorless, it could have easily competed with this season's B-movie king, Doomsday. Here, too, B-movie is synonymous not with a lack of craft, but with genuine entertainment. Albeit dumb entertainment (but not executed in a stupid manner), but at the same time stylish, energetic and constant, though somewhat repetitive. (21/09/2008)

Paul Anderson teamed up with Roger Corman for a thunderous remake of the cult film Death Race 2000, in which death row inmates fight to the rhythm of driving guitars and music video editing. It's essentially a video game with all the trimmings (collecting weapons and shields), but this time we really don’t need our joysticks. That’s because the characters have descended from the posters of classic "racing games" and drive so fast you forget it even the inklings of a plot. Anderson has exceeded his own shadow and all expectations and made his most entertaining, perverted, and most importantly, best film, which entitles him to shake hands with Neil Marshall and kick the Wachowski's in the ass at the same time. PS: That truck destruction rivals Chris Nolan. (18/09/2008)

A well-made B-movie with musclemen racing in cars that at last I wouldn’t be afraid of trying out on Czech roads. And Statham’s musculature again rekindled my desire to make regular trips to the gym a New Year’s resolution. Otherwise Mr. Anderson performed exceedingly well, everything about him was A-grade (B-movie A-grade), but he’s going have to try harder for me to be able to forgive him for Alien vs. Predator. And who would have guessed that Joan Allen as the warden would outdo all of those navigator beauties. (01/01/2009)

Paul W.S. Anderson is quite an unpredictable director, you never know whether his next project will be good or really bad. This time things have fortunately worked well and Death Race is brilliant B-movie fun that might not be as mad as Doomsday, but it holds together a lot better. Anderson has made me happy this time, but I’m still not forgiving him for AvP. (11/10/2008)