The Score

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Résumés(1)

Robert De Niro stars as Nick Wells, an aging thief whose specialty is safecracking and who is on the verge of retiring to a life of ease, running his jazz club and romancing his girlfriend Diane (Angela Bassett). But before he can ride off into the sunset, Nick is pressured to do one last job by his mentor and business partner, a flamboyant and extravagant upscale fence named Max (Marlon Brando). Max is plotting the heist of the Montreal Customs House, and he's got a man on the inside, Jackie Teller (Edward Norton), a talented but volatile crook who has managed to ingratiate himself with the facility's staff as a fellow employee suffering from cerebral palsy. Jackie bristles at Nick's interference in "his" score, however, and threatens violence when it seems he's going to be cut out of the action. In the meantime, Nick grows increasingly ill at ease about the operation, as it violates his two most important dictums in thievery: always work alone and never pull a job in your own city. (texte officiel du distributeur)

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Critiques (2)

Kaka 

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anglais To me, The Score feels like a light mix of Heat (certain plot elements, dialogues), The Italian Job (similar formal stylization), and a bit of Ocean's Eleven (show-off). Everything is kept running quite solidly thanks to the competent work of Frank Oz, with the assistance of Robert De Niro, his hand in the film is very noticeable, and he brings the necessary dose of at least partial realism and believability to the heist. Don't expect any big explosions and carnage like Roland Emmerich or Michael Bay, but rather a more intimate story with cleverly staged heist scenes, where the technical tricks used by the main characters will captivate you the most. ()