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Hongrie, 1919. Miraculeusement revenu du front, Thomas exerce comme photographe post mortem dans une foire itinérante : à la demande des familles, il immortalise les défunts en recréant l’illusion de la vie par de savantes mises en scène. Alors qu’il vient d’arriver dans un village lourdement endeuillé, il est saisi par les révélations de la jeune Anna : le village serait hanté par des spectres mystérieux et terrifiants… (Condor)

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anglais The Hungarians have once again delivered, this time with a quality ghost story that immerses you in a fantastically gloomy and oppressive atmosphere. What stood out to me was the absence of cheap jump scares; instead, the creators crafted a cohesive narrative that slowly builds up the tension. Post-mortem photographs have made their mark in horror films like The Others, but the Hungarians took this concept further. Unlike typical Western ghost horror movies with a group of paranormal experts, this story was set in the Hungarian countryside shortly after the end of the Great War. It was morbidly refreshing to see the returnees from the afterworld fight against an elusive enemy. I found myself thoroughly entertained throughout, though towards the end, I felt the creators rushed things a bit. The story deserved a more elaborate conclusion. And poor Marcsa, such high hopes... / Lesson learned: Be cautious of unstable ground. ()

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