Usual Suspects

Interrogatoire de l'enfant criminel reconstituant un mosaïque de flashbacks des événements passés, menant à l'explosion tragique du bateau dans le port. Un film noir sophistiqué, où tout est finalement complètement différent de ce qu'il semble être, même à première vue. Un scénario parfait, basé sur des connexions en flashback et une caractérisation détaillée des personnages, tourné avec un budget incroyable de 6 millions de dollars américains. Un acteur encore inconnu à l'époque a eu énormément de chance. Il a obtenu un rôle qui l'a rendu semi-divin pendant longtemps. Je veux une suite où je pourrais profiter de son personnage pendant plus de dix secondes et où il ne restera pas uniquement un mythe pour moi ! (23/06/2002)

A refined, quality script allows creators to constantly surprise and play with the viewer like a cat with a mouse. Until the last shot, the viewers don't know what is actually happening, and thanks to the film's originality and cleverness, a famous thriller emerged that is often stolen from and referenced in other films and series. Overall impression: 95%. (21/01/2009)

If you've seen this film and for some reason stopped watching a few minutes before the end because you thought you had it all figured out, I guarantee you've seen a completely different film. Does it sound weird? Not for this film, not at all. A brilliant ending that in the last few seconds turns everything on its head. By the way, first Oscar for Kevin Spacey and Oscar for screenplay. (13/04/2003)

It’s funny how some films are fully appreciated only after a second screening, and The Usual Suspects is one of them. The story, which at first I found uninteresting and didn’t understand, now completely engrossed me, and I enjoyed every clever scene, all the sharp dialogue and, above all, I admired the performance of Kevin Spacey, which was absolutely amazing and deserving of an Oscar award as few others have. Thanks to its relatively short runtime, the story flows like water, Singer's imaginative and stylish direction, together with a precisely scored soundtrack, gives it enormous depth and power, and then there’s the final twist with the legendary villain Keyser Soze, who gives his rivals the shivers just by his name alone, puts the crown, making it one of the best crime films of all time. Simply brilliant craftsmanship, with a refinement, rawness and elegance that cannot be fully grasped in one viewing. 98% (02/08/2012)

A script this perfect would have deserved a little more dynamic direction in my opinion. Singer does conjure up the occasional really playful scene (Kobayashi in the elevator, the cut from the scene where the cops pick up Kevin Pollak), but the whole thing has too much of an 80s static feel for me. It's helped quite a bit by the literally brutal scenes (plus, where else are you going to see a child getting killed in a shot). Otherwise, though, it's a terribly entertaining film. (17/12/2010)