Résumés(1)

Une riche scientifique organise une expédition pour capturer la créature du lac, qui s’était échappée en Floride. Pendant la capture, elle est grièvement brûlée, et privée de ses branchies. Le docteur Barton s’aperçoit qu’il peut sauver le monstre en lui retirant ses ouïes, ce qui permettra d’activer ses poumons primitifs pour respirer à l’air libre… (Elephant Films)

(plus)

Critiques (1)

Lima 

Toutes les critiques de l’utilisateur·trice

anglais Poster tagline: ALL NEW UNDERWATER THRILLS!!! TERROR – STALKS THE CITY’S STREETS!! Of course, it doesn't reach the qualities of Creature from The Black Lagoon and Revenge of the Creature by the legendary Jack Arnold, but it doesn't chew on what has already been chewed on and goes its own way. This is especially the idea of Gill-Man's gradual transformation into an Ichthyosapiense, an intermediate stage between a frog-man and a human, when, due to deep burns, Gill-Man loses the ability to use his gills and is dependent only on his lungs, thus becoming useless for underwater life. There are also the already proven attractive underwater shots, often used in the first half, when Gill-Man is played by then diving champion Ricou Browning, of course dressed in a believable costume. In order to prevent the storyline from turning into a dull plot (already successfully used in the first part) in the form of the hunt for the monster-capture-escape of the monster timeline, the creators spiced it up with a somewhat trite love melodrama of the main characters, which leads to a tragic end. The final minutes, leading up to the inevitable suicide, are perhaps the most emotional moment of the entire series. ()