Résumés(1)

Au milieu du désert américain, le long d’une route abandonnée, des voyageurs épuisés - deux hommes en fuite, un groupe de rock féminin en tournée, un homme perdu, un frère à la recherche de sa soeur disparue et une famille en vacances - doivent affronter, au cours de cinq histoires cauchemardesques, leurs peurs les plus terribles et leurs plus sombres secrets. (ESC Distribution)

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Critiques (4)

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POMO 

Toutes les critiques de l’utilisateur·trice

français Dommage que les histoires individuelles ne soient pas liées de manière cohérente (de quelconque manière !). Comme un puzzle sophistiqué, cela aurait pu bien fonctionner. Mais le film donne simplement l'impression d'être un assemblage de plusieurs courts-métrages non liés réalisés par des amis cinéastes, qui ont chacun tourné « une petite histoire effrayante quelque part dans l'arrière-pays américain », selon leurs propres goûts. C'est divertissant en cours de route, mais au final insatisfaisant. ()

J*A*S*M 

Toutes les critiques de l’utilisateur·trice

anglais An anthology of short stories that is not an anthology of short stories. Rather, it’s a frantic ride through a western small town and its surroundings where strange things happen. This eliminates the problem of the short story anthology films, where mostly the “to each their own” rule applies. Southbound, in contrast, gives a rather holistic impression, with an atmosphere that stays within marked boundaries. And there’s always something happening. It’s a very gratifying film that doesn’t keep you waiting, and the authors try to please the viewer with a substantial number of horror properties and you almost don’t have time to catch your breath. I was reminded of In the Mouth of Madness, the atmosphere of that hellish small town is very similar. Even the main score is a bit “Carpenterish”. 8/10 ()

EvilPhoEniX 

Toutes les critiques de l’utilisateur·trice

anglais This Highway! This City! Those People! This Anthology!!! Is Fucked up!! A film that exceeded already high expectations must be rewarded accordingly. This is a fantastic ride through hell, with not a single weak element standing out. The first story is beyond average, boasting original portrayals of demons and one very decent gore scene, 3*+. The second short story features solid psychological terror with a clear “something is wrong here” mind-fuck atmosphere, 4*. The third story is the highlight of the anthology. It starts with the best car-human collision I've ever seen and ends with a nerve-wracking operation that had me screaming, sweating and curled up in bed like I haven't in a long time (at times I thought I couldn't take it) Excellent gore, 5*. The fourth story also features solid gore and idea but comes across as a slightly bland, 3*+. The final story climaxes with an intense home invasion that tells to other home invasion movies that if you want to, you still can. Excellent bad guy, intense suspense, psychological terror, decent climax and a nice twist 4*+. Amazingly shot, with convincing performances and clever writing, old-school atmosphere, perfect gore, amazing sound (every movement is authentic to the point of being palpable) and most importantly the film manages to perfectly sway the viewer's mind. Two reasons to see the film: the best and most stylish soundtrack in horror in the last decade and the best anthology in the last decade. A future classic that I will keep coming back to. 85%. ()

kaylin 

Toutes les critiques de l’utilisateur·trice

anglais Southbound is quite an enjoyable short story film that is distinguished by being very well made in all respects. It has very good special effects, the picture quality is great, and the acting isn't bad either. It's enjoyable to watch, but none of the stories stood out enough for me to remember them more vividly. On the other hand, the floating monster is great and memorable. ()

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