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Après avoir héroïquement empêché une attaque terroriste dans un train, David Budd, vétéran de la guerre d'Afghanistan, est placé à la protection de la Secrétaire d’État à l’Intérieur britannique, Julia Montague, dont il méprise profondément la politique. Partagé entre ses convictions et son devoir, David mènera t-il à bien sa mission ou deviendra t-il sa plus grande menace ? (Koba Films)

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Critiques (8)

EvilPhoEniX 

Toutes les critiques de l’utilisateur·trice

anglais An incredible six-episode blast! Richard Madden, who delivers an extraordinary performance and, above all, professionalism of the deepest grain, has the task of bodyguarding a London government minister who is being targeted for terrorist attacks. Great pacing, perfectly paced scenes, a rotten, corrupt government and very entertaining politicking and intrigue. I didn't expect the politicking to be what I enjoyed most about the series. Good stuff. Keeley Hawes as the Minister was excellent. 90% ()

Lima 

Toutes les critiques de l’utilisateur·trice

anglais Throughout all six episodes, there are four amazingly composed action scenes, twists and turns like on a treadmill from the third episode onwards, and the main villain was for me only on the last line in the list of suspects, I really didn't guess him (but maybe I'm just dumb). The long scene with the explosive vest in the last episode is something, something so bizarrely suspenseful that you almost can't believe your eyes. But in a good way, it had drive, I had a great time. Richard Madden was incredibly good at it, a pro in every way, the minister's lapdog and a bundle of nerves all rolled into one. He was fantastic! I’m not giving it five stars only because at the very end I didn't believe at all the sudden transformation of one of the characters into absolute evil, given the previous course, the way she presented herself, what I felt from her (those who have seen it, will probably guess). The filmmakers simply overdid it with trying to surprise. ()

Annonces

Marigold 

Toutes les critiques de l’utilisateur·trice

anglais A series that for a long time looks like an update of John le Carré's chess games, but in the end may only go down in history as a captivating audition tape by Richard Madden for the role of James Bond. On my god! The boy has it - a killer look, vulnerable charm and a special fragility. His body changes smoothly before the eyes from a powerful machine to a completely scattered trauma factory. Unfortunately, everything else in this world does not have a firm foundation. Until the fifth episode, these are slow promises, which are scattered by the sixth episode, which is overwhelmed by twists, meaningless explanations and the explicitly stupid motivations of the central conspiracy. As a political thriller, Bodyguard is, after all, not a carefully thought-out chess game, but rather stupid screenwriting work with holes in the logic. Unfortunately, the ridiculous structure devalues ambitious attempts at drama and makes it clear that the smiling clichés about the relationship between the bodyguard and his trustee were not just momentary flings. It's actually a cheap, albeit nicely filmed and modern-sounding B-movie. Too bad. but Madden is currently top on my 007 list. ()

novoten 

Toutes les critiques de l’utilisateur·trice

anglais From the first second to the last, an unpredictable testament to all the virtues of British television. There is no shortage of surprising twists, including one shocking one, an attractive environment linked to its supporting themes, and engaging acting performances by all involved, led by the breathtaking Richard Madden, where the viewer is constantly in doubt as to whether the main hero will collapse, perform a heroic act, or just shoot everyone. It's a shame how it gets tangled up in its own web of intrigue right after jumping the basic twist; until then I thought I had a true television miracle in front of me, and instead it's at least a more than meticulous genre piece with an unbelievably high-octane climax. ()

DaViD´82 

Toutes les critiques de l’utilisateur·trice

anglais Jed Mercurio took a year off from his flagship series Line of Duty and created… Well, basically not admitted spin off, which “inherited" all the strong points (tangible graduating tension, ambiguous characters, understandable motivations, intense interrogation and dialogs) and the week points (a little too much coincidences, twists at all costs, slightly excessive conspiracy) from the Line of Duty. As long as he sticks to the characters who, during their inevitable journey to hell, try to put out the consequences of their actions, it's great. As soon as he moves away from the individuals to a high backstage game full of intrigue, it gets worse and it's almost like the new Dan Brown. Which is again the fact that the same goes for, wait for it, Line of Duty. ()

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