A dark conclusion to the most provocative cable show. Unfortunately, the creators used up all the attractions, including genre changes and a new location, in the last season. Here, they are left with only total depression to play with. Among the supporting actors, only the black widow Rose McGowan is worth mentioning.

Seemingly another ideal HBO drama. It features a great cast (especially Amy Adams), excellent direction by Jean-Marc Vallée, and a beautifully slow pace. Of course, it deals with the classic contrasts of the fictional American backwater town of Wind Gap in Missouri and the big world, which in this case is represented…

I'm not a fan of Britney Spears, but I appreciated the explanation of what was happening around her during COVID. Because no one outside the bubble of her audience had any idea that her first global career lasted only relatively briefly, a few years around the turn of the nineties and the millennium. Then, after a…

I'm more than pleasantly surprised. I liked the fact that the film teetered on the edge of serious and quite deliberately crazy until the end, that its director was able to create a decently dense atmosphere and that he wasn't afraid of the ecological subtext, which was given a wonderful twist in the unexpected – but…

Skating in oil! A meta espionage action whirlwind with many incredible twists and turns. Matthew Vaughn takes the viewer for a ride on several levels and yet it's seamlessly coherent and everything makes perfect sense in the end, no matter how absurd the genre crutch. Sam Rockwell is terrific, and the train fight with…

300 is a film that tries to be absolutely perfect visually, but at the expense of many other factors that make a good film even better. And all those severed heads, limbs and I don't know what else started to get on my nerves after a while, and the countless slow motion scenes don’t make it any better, at least in my…

I just don't like Adam Sandler, and he has practically the same expression in Waterboy as in Billy Madison, so it's actually quite cliché, which could be said of everything else. The only bright spot was, as always, the great Kathy Bates, who just knows how to do it and it's a real shame she was involved in something…

I don’t care what others say, this sentimental and touching story really got to me. An absolutely perfect female cast, where each of the actresses gives everything to her role, which is nicely visible in the result. The story itself is beautifully told, not lacking a frame and features countless peripeties, so kudos…

Muriel is having a really hard time in life, and when it seems that things are looking up, all her hopes disappear into the darkness. But she doesn't give up, and every setback in her life is another offer for the better. Toni Collette is a great actress and she inhabits the role of Muriel wonderfully, faithfully…

Seemingly another ideal HBO drama. It features a great cast (especially Amy Adams), excellent direction by Jean-Marc Vallée, and a beautifully slow pace. Of course, it deals with the classic contrasts of the fictional American backwater town of Wind Gap in Missouri and the big world, which in this case is represented…