Nouvelles critiques - TOP utilisateurs·trices

The Ministry of Ungentlemanly Warfare

3DD!3The Ministry of Ungentlemanly Warfare(2024) 

anglais A relaxing ride for a good mood. Guy Ritchie watched Quentin Tarantino's Inglorious Basterds and thought he could make something cool like that too. Well, it's not that good, but it's fun to watch. A stylish wartime flick with a western score, a great Henry Cavill and Alan Ritchson as the ultimate killing machine; it doesn't get boring and is shot so casually that it lacks any fatality or major tension. The best action falls in the first half of the film, where they liberate Apple. The passages without the main party are not much fun even though Eiza González is very good at it. This should have gone to the cinema, the ending is at night and the spurting blood is hard to see.

The Shameless

POMOThe Shameless(2024) 

anglais Can it really be so bad in India? The transformation of pure feminine innocence into the only possible form of existence that is not submissive to the laws of the patriarchal jungle. In some poor Indian social classes, family values are not the same as they are with us. And what initially seems tempting to take the wrong path can eventually turn out to be a life preserver. Though it is inhumanely sad. The Shameless is a brutal, powerful drama with a screenplay rich in the depiction of cultural nuances, excellent acting and uncompromising directing. [Cannes FF]

Trois kilomètres jusqu'à la fin du monde

POMOTrois kilomètres jusqu'à la fin du monde(2024) 

anglais A procedural analysis of the actions of Eastern European villagers – the family of the injured party, the police and the father of those who are responsible – during the investigation of a crime and the subsequent handling of the facts that are brought to light. Though incomprehensible to the point of absurdity in the context of Western civilisation, those actions are well intentioned at the core of the characters’ limited way of thinking – albeit with a veil of nagging remorse. And even though the screenplay does not revolve explicitly around tragedy, the film holds the viewer’s attention with the brilliant structure of the dialogue and uncomplicated examination of the characters, while stimulating curiosity as to how it will develop. The same story with the same characters and dialogue could work just as well in the conditions of Poland or Slovakia. [Cannes FF]



anglais Icelandic teenagers and a tragic event that they did not anticipate. The modifier “intimate” takes on even greater significance here than is usual. The detailed depiction of the rising fear of losing a loved one and subsequently dealing with the resulting pain. The main character goes through that mostly in secret, without the understanding of those around her and thus all the more intensely. Though thin in terms of story, this small drama is sufficiently packed with emotions and psychology, and offers a nice, poetic ending. [Cannes FF]

Hell House LLC Origins: The Carmichael Manor

EvilPhoEniXHell House LLC Origins: The Carmichael Manor(2023) 

anglais Atmospheric found footage inferno!!! I didn't think I'd ever be scared to go to the toilet after watching a horror movie, but here I was, like, super uncomfortable. I don't mind ghosts or demons, I don't mind heads and dicks being cut and guts flying around, but I downright hate mannequins and clowns and this combo is deadly to me. Also adding a lot to the atmosphere was the fact that I watched this film at 3am and when you are going back to your hotel at night it can sometimes be scary, I almost took out my torch and the walk up to the second floor was almost reminiscent of Silent Hill! Already in the first story you could sense that the filmmakers have talent despite the limited budget, but I was bothered by the chaotic camera and the distracting images, it was still kind of The Blair Witch Project style with an epileptic touch, where you can't see much and the camera shakes like pensioners in front of a supermarket at 7am, but here all these flaws are absent. The cinematography is beautifully polished, and visually it's immediately a more attractive film, and to me, more likeable. Plus the film has the potential to be an interesting crime mystery, based around the wealthy Carmichael family of the huge mansion I have a soft spot for. So here we have a group of three investigators who decide to spend five nights in this mansion, as they suspect it is haunted, and it is! From about 40 minutes onwards, it goes into full horror mode with the scariest clowns I've ever seen, and every shot of them gave me chills and uncomfortable anxiety. The camera work is downright masterful and I can say the same for the sound design, where some of the scares tingled with me properly, as they should. The atmosphere is bleak and very much evil, the pacing by the end is so intense that I wished it was already over, because I was afraid that I might not be able to physically handle any more revelations! I also praise the very innovative haunted attractions (for example the scene where we only watch a sequence of photos that start to get progressively more creepy was brilliant), here even James Wan would give a standing ovation! A found footage gem with proper creepy vibes. I'm bumping it up to full score because I haven't had a more intense horror experience since The Conjuring and The Host. An underrated masterpiece that is downright hell to watch. 9/10.



anglais I like sports dramas and I was really looking forward to Challengers since the first trailer. Luca Guadagnino is a guarantee of quality filmmaking and he delivers a solid sports romance that, although a little scrappy at times in the second half, but Zendaya pulls all the attention to herself. The finale is nicely suspenseful, nice camera work, decent performances and overall a good film, but one I won't be watching again (I enjoyed the Williams sisters with Will Smith a tad more, there were stronger emotions there as well). 70%

The Mystery of the Dragon Seal

3DD!3The Mystery of the Dragon Seal(2019) 

anglais An adventure fairytale with decent production design but terrible visual effects, and infamous for Arnold Schwarzenegger's fight with Jackie Chan. Aside from the much-publicized fight in the trailers, there's not much of either Jackie or Arnold, and the story is about everything but them. A princess, a witch, a dragon, an iron-masked tsar, and a cartographer of sorts meet on the Great Wall of China and then have a pow-wow. The fight between the princess and the fake princess is terribly messy, yes because they look exactly the same... And the wicked minions seem to have fallen out of the Big Trouble in Little China. Average, with one bonus star for that fight.

Pour une poignée de dollars

KakaPour une poignée de dollars(1964) 

anglais Out of sentiment for the material and respect for the legend of Sergio Leone, it's hardly three stars. In A Fistful of Dollars it is clear that the cult trilogy is still in its infancy. The budget is lacking and the technical side is all over the place, but the foundation stones have been successfully laid. Clint Eastwood with his growl, a unique Ennio Morricone and a surprisingly well-written story that at times feels like a spaghetti Bolognese commercial.

La Jeune Femme à l'aiguille

POMOLa Jeune Femme à l'aiguille(2024) 

anglais A lot of dark drama inspired by actual events, which you ideally shouldn’t read about beforehand. Because even though the protagonist, Karoline, has it as badly as possible, more unexpected blows will come. The impressive production design gives a sense of the filth and hopelessness of the time. The film also impresses in places with almost expressionistic compositions, whose meaning is symbolically filled out by the appearance of Karoline’s husband, who had been disfigured in the war. There are a lot of details that make us wonder how people lived in such discomfort during that time a century ago. Vic Carmen Sonne in the main role leads the film with her brilliant, quiet performance, which veteran actress Trine Dyrholm later darkens (literally) in a smaller space with equal intensity. Facial expressions are paramount here. Viewers will experience the maternal moments even more powerfully; many gasps were heard in the screening room and people could be seen covering their eyes. [Cannes FF]

Kinds of Kindness

POMOKinds of Kindness(2024) 

anglais Lanthimos has taken a sharp detour from his recent mainstream films. He knows that we will eat anything out of the palm of his hand. Kinds of Kindness is a decadent riddle reminiscent of Paul Thomas Anderson’s sultry conversational flicks and his own early Greek films, but with Hollywood stars and an American setting. The first and most polished of the three stories masterfully draws us in from the opening seconds with its subject matter and characters. The second one throws us off balance and the third, in relation to the two that came before, is already fodder for a roundtable discussion. The dark, unexplained supporting character R.M.F, around whom the stories revolve, is most likely the alter ego of the director himself (and is played by Lanthimos’s Greek friend Yorgos Stefanakos) and represents a metaphor for his journey through big-time show business. There is no shortage of funny, bizarre, disturbing and bold moments in Kinds of Kindness, as Lanthimos again takes an original approach to exploring sexuality, sensuality, cruelty, dominance and all of the other things that we love him for. Only with a smaller budget and in a realistic contemporary setting. [Cannes FF]



français Un drame antique ayant pour cadre un New York futuriste, avec des citations littéraires tirées des classiques et des considérations existentielles, ridiculement incongrues par rapport à l’exécution du film qui les entourent. C’est sexy une fois, drôle une fois, mais dans son esthétique, le reste du film est un mélange de styles pseudo-postmoderne allant de l’embarrassant au kitsch, totalement invendable auprès d’un public plus large. On y voit des scènes de foule avec des dizaines de figurants, des costumes aux motifs de la Rome antique et des scènes numériques tout droit sorties d’une fantaisie télévisuelle pour maisons de retraite. Il y a le motif de l’arrêt du temps, dénué de tout fondement et non développé, et beaucoup d’autres idées ébauchées qui n’aboutissent à rien. Est-il vraiment possible que Coppola considère ce film comme sa grande œuvre ultime, celle à laquelle il a tout donné ? Tout comme il avait lancé sa carrière avec la longue scène de mariage du Parrain, il l’enterre avec un événement horriblement théâtral pour le gotha de Mégalopolis, comme tiré du méga-flop Caligula. Sinon, Nathalie Emmanuel est magnifique, Aubrey Plaza dangereusement séduisante, et Shia LaBeouf est le meilleur du lot. [Festival de Cannes]

The World of Strawberry Shortcake

NinadeLThe World of Strawberry Shortcake(1980) 

anglais The World of Strawberry Shortcake is pure charm. This phenomenon started as a series of holiday cards and greetings with typical illustrations of a little cook in a puffy skirt. In the 80s, along with Rainbow Brite, Strawberry Shortcake was among the most popular cartoons for preschool children, who then moved on to He-Man and She-Ra. To this day, new animations are still being produced, along with toys and souvenirs, of course.

Le Gardien

3DD!3Le Gardien(2024) 

anglais A delightful B-movie with a demented script by Kurt Wimmer, with extreme and bloody action. I don't understand who consulted and explained to the filmmakers the general workings of computers, how phishing takes place, what the lairs look like, where the millions disappear from the retirement accounts of American pensioners, but the result presented here is so over the top that I suspect Wimmer and David Ayer of making a satire of sorts. And Jason Statham is something of a force of nature. A hurricane that takes out the amoral call center fuckers, while looking like my dad watching cycling on TV. Ayer and Gabriel Beristain keep the visuals in check, and that's what makes the film look great. Josh Hutcherson, unfortunately, is not ugly enough as the vile perpetrator of all evil. He tries, but you just don't believe the self-absorbed prick. Jeremy Irons has virtually nothing to work with. And that security guard at the end, that's something. But what I enjoyed the most was the role of the FBI agent, a stay-at-home dad who figures out how to get out of work and all of Statham's destruction, only to have his stupid partner (Emmy Raver-Lampman) drag him into the hardest shit, only to change her mind about the whole thing. Maybe it's not even a B, it's a C. It's terribly bad, but I had a royal good time in places. Guilty pleasure? To bee or not to be?

The Maze

LimaThe Maze(1953) 

anglais Already ridiculed in its day, this film is based on a derided novel by Maurice Sandoz, interesting perhaps only because it was illustrated in 1945 by Salvador Dali himself. It's hard to write about this film and not to spoil the plot twist at the end that is the only memorable thing about the whole film. Until then, or rather until the 'intermission' two-thirds of the way through (yes, even such a short film had its 'Intermission'), we are in a drab castle setting with five actors and only two bats on strings and one gimmicky view of a maze out the window to break us out of our lethargy. There's woefully little to work with here at all, we only see one entrance corridor for almost the entire film, but it's understandable, there wasn't much money involved (it was only 2 months from pre-production to final release). Well, at the end, a monster appears... well, let's say a monster, but one you won't forget till the end. Even in its time, which was rich in naive films, it provoked volleys of laughter from the audience. It may have been meant to be scary, I don't know what the filmmakers intended, but you want to feel sorry for it, hug it and pet it. That's all I'm going to say :o) The film was shot in simplified 3D, which was just beginning at the time, so in some scenes the objects and actors "throw themselves in your face" (the opening dancer, the bats, the monster jumping out the window). Summary? I'll give an overrated 3 stars, I actually miss oldschool naive B-movies like this nowadays. They don't scare or disgust you, they caress your viewer's soul

Love to Love You, Donna Summer

NinadeLLove to Love You, Donna Summer(2023) 

anglais I discovered the disco queen, Donna Summer, in the movie Spinning Gold. This extraordinary singer, whose American career was preceded by one in West Germany, has a story that practically wrote itself, requiring only the presentation of all its elements. As a child, she was bullied and bore a scar from barbed wire on her face for life. At the end of the hippie era, she became the face of the German production of the musical Hair and experienced liberating times as one of the few black women in Munich. She married Helmuth Sommer and had her first daughter with him. After their divorce, she entered a golden era with that incredible erotic hit, which in its full version lasted 17 minutes. The rest is just the classic ups and downs: domestic violence, a duet with Barbra Streisand, and a new marriage... If this isn't material for a full-length documentary, then nothing is.



anglais Is this the same Sollima who did Sicario 2 and is an expert on European gangster movies? The beginning still looked promising, the protagonist is at a disgusting gay party full of drugs and alcohol, where he is tasked with filming a minister, blackmailed by the cops, only he fails to complete the task and goes on the run. And then the whole film staggers in place, offers nothing of interest (no action, no violence, no twists) it doesn't go anywhere story-wise and as a result you are so fed up with the film that you just want it to end. It wasn't fun. 3/10.

The Worst Evil

EvilPhoEniXThe Worst Evil(2023) 

anglais I just got through the highest rated Korean series of last year (8.3 IMDB) and it's another quality Korean ride full of violence, great actors, a packed story, emotions and twists. Honestly I'm not a fan 12-episode series, too long for my taste, I prefer 8 episodes but when it's a Korean gangster series you can take anything. The story is set in the 90's where we follow the rise of a new drug syndicate, where a disco DJ works his way to the top in a short while by eliminating the competition and becoming the biggest capo in town. Soon, however, an undercover cop infiltrates the gang and undergoes an incredible transformation (the scene where he's covered in blood and slashes his enemies with a machete while being watched by his wife, who thinks he's a decent cop, was insane! Nice example of how violence can change a person). The acting is perfect, both actors are very young, the future of Korean films, so I'm a big fan in that respect. Visually, it's sheer cinematic peak, the cinematography is top notch, the music is amazing, the action is breathtaking. The sequence from episode 9 is like cut from The Night Comes for Us, there's a whole house and absolutely every Korean soaked in blood! Machetes, knives, axes, baseball bats. There was also international drug trade, so both Japanese and Chinese get involved and that made it nicely spiced up. The series doesn't lack decent plot twists and plenty of suspense, with the viewer keeping their fingers crossed the cop doesn't get caught every episode. I was a bit annoyed by the romantic line with the gangster and the policewoman, but it had its merits. I was expecting an action climax in the finale and unfortunately they peaked in episode 9, so in the end only a strong 4 stars, but it's very good. There's a tear at the end and that counts. Fans of Korea, gangsters and violence should definitely not hesitate.85%

Back to Black

MattyBack to Black(2024) 

anglais Fifty Shades of Grey, but done a bit differently. Director Sam Taylor-Johnson and screenwriter Matt Greenhalgh could have used Amy Winehouse’s story to construct an emotional drama about fame, addiction, voyeurism and the excessive demands placed on how famous women are supposed to behave and look (mainly decently). Instead of that, they decided to take an absolutely dull, mediocre approach to telling a bittersweet fable about a girl unhappily in love, who wants to be a mother (which is her main desire and greatest vulnerability). Only a minimum of space is dedicated to the process of composing and recording music or to any effort to understand the deeper causes of Amy’s predisposition to addiction (no, I really don’t think it was because of a broken heart and the death of her grandmother). It’s as if the film wasn’t made for Amy and her fans. The main point of Back to Black seems to be to clear the name of the two men who opportunistically exploited the singer’s vulnerability and contributed to her tragic demise. Here they behave – at least toward the protagonist – in an exemplary manner with exaggerated concern (for comparison, watch the documentary from 2015). Even if we set aside the ethically questionable retouching of reality and laying blame on the victim and her impulsive behaviour, Back to Black remains a below average film that is unnecessary in every respect (including Marisa Abela’s performance, unfortunately). It gains depth and veracity only once, during the closing credits, which feature Nick Cave’s heartfelt performance of his ballad “Song for Amy”. 40%



anglais I haven't seen a worse film this year that's for sure, so there's no point in commenting on the film at all, rather I'll comment on the making of it as it might have been. A little girl is unhappy that her father spends his time in a dingy lonely house for a few rupees rather than spend time with her, so she sells his gold watch on the sly so she can at least get a camera with it. With that, she approaches her uncle to see if he'll make a film with it, of course he'd be behind the camera and occasionally add some sound design. He tries to talk her out of it, but the girl has a good argument. The script is only two sentences long and we won't need any dialogue at all, we won't need any make-up artists because we won't have any gore here, we'll give them everything out of frame, we won't need to pay any actors because the main actors will be me, my little brother, my dad and my mum and what will the film be about? My uncle asks... Well, nothing really, I'll be running around our house for 80 minutes hiding from my dad. I'm gonna fulfill my dream that my dad will spend some time playing hide-and-seek. And that's how the indie film Monster was made. Enjoy!!! 10%