Game Night

Je ferme les yeux et mets trois petites étoiles, avant tout pour Rachel McAdams et les scènes avec le voisin-flic. Le concept est excellent, mais l’exécution aurait pu être nettement, nettement meilleure. Dommage, quand on voit le potentiel qu’il y avait. (07/08/2018)

An excellent comedy that is nothing of the American style, avoids clichés and is very smart. Rachel McAdams is adorable, Jason Bateman gives a classically decent performance, and I found Jesse Plemons as the mysterious cop very funny. It's has a great pace, a good idea, decent lines and fine situational humour, nicely dosed twists that get more and more wacky towards the end, and there's also action and a dose of suspense, so for me a lot of great satisfaction and perfect entertainment. I wouldn't be opposed to a sequel. 85% (03/04/2018)

What is surprising about this comedy is that it doesn’t have a decent comedic opening which would later on fade into mediocrity and a classic happy ending. On the contrary, I wasn’t sure what to think about it in the beginning and only started to appreciate the originality of its premise after 20 minutes of watching it and then I was finally enjoying it more and more. In the end this is one of the most original comedies I have seen recently, and I went to bed in a very good mood indeed. (01/06/2018)

A fairly entertaining romp that alternates usually mediocre comedy moments with rather clumsy action passages, aided by the odd use of miniatures and atypical camera shots, apparently in an attempt to be interesting at all costs. There are moments when it fulls it off, others when not much so. But the positive element of a likeable lead pair is still present, dominated mostly by Rachel McAdams and the absolutely awesome interludes with Denzel Washington. The dialogue interactions are fine, but the viewer just has to accept that it's actually terrible bullshit from A to Z. (16/06/2018)

A likeable stew where the attentive film buff, despite a number of stupid twists, will find something in the hilarious parodies and witty references to David Fincher, while the viewers who simply go to the cinema to switch off will experience 100 minutes of non-committal and unflagging entertainment. Had the film maintained the conversational and narrative verve of the first half and not swung into such action and plot breadth, it could easily have been the comedy of the year. (03/03/2018)