Mission

The diametric difference between the two halves shatters the overall result into even smaller pieces. The first is perfect. The utterly captivating depiction of one person's transformation under the weight of their conscience and Christian teachings, further supported by the masterful acting performance of "Senor" Robert De Niro, is breathtaking. Especially when you factor in the excellent contrast between the Native Americans and the European settlers. However, the second half radically changes the point of view. The political struggle of colonial powers in South America, Spain, and Portugal, with the involvement of the Roman Catholic Church, goes completely against the flow of the previous narrative, and the whole story starts losing its persuasiveness and momentum and becomes rather unpleasantly dull. Moreover, everything starts to lead to a surprising final battle, which, despite having "something to it," cannot deny its own self-indulgence. Unfortunately, even the beautiful images of the South American jungle bordering on kitsch are lacking here, but Morricone's impressive music partially makes up for it. But to just close your eyes and listen? Given the first half, I'm sorry for my rating, but considering the second half, unfortunately, there's nothing I can do about it. (30/09/2005)

An unforgettable expedition of penitence to the rain forests of South America that very soon turns into a clash of opinions involving politics, faith and freedom. Let’s sum up the main plus points of The Mission. You can’t find many better performances by Robert De Niro than this, plus this is Jeremy Irons’ role of a lifetime and the rest of the actors do a great job too in their supporting roles. Their manage to act their way through the first half and at the very end without the use of words, just using facial expressions... Absolutely indescribable. An intelligent screenplay based on real events that doesn’t underestimate the viewer and pleasant spiritual perspective that is maintained without the movie plunging into religious agitation. Powerful scenes galore. For instance, the famous moments with Mendoza feeling the weight of his burden or Irons walking at the head of a mass of unarmed Indians. Sumptuous production design, Oscar-winning camerawork that captures wonderful locations, all under the umbrella of the perfect compositions from the genius Ennio Morricone. The only downside of The Mission is the directing of the battle scenes that lack juice. But luckily there is a minimum of them and not until the end. And the result? One of the best pictures of the eighties. (31/01/2007)

When in a captivating story of unfortunate fate from a not-so-good time, the amazingly playing De Niro and Irons come together, the camera captures perfect scenery and in addition, the titan Morricone's music is playing, it is enough for even just average direction by Joffé, to create a unique film. The outcome is not as clear-cut as it may seem at first glance and the layered story leaves many ideological questions open. (14/08/2007)

A visually stunning film where the camera utilizes all the possibilities offered by the exotic environment of the Latin American jungle and indigenous tribes. A grand historical film about the spread of European culture and power in South America. Overall impression: 90%. (18/04/2009)

A very strong film both in terms of content and visuals. However, it didn't manage to captivate me as much as I had expected. There are strong scenes that alternate with dull and relatively uninteresting ones, and at times I couldn't help but feel bored. The cinematography is excellent, as is the music. The South American scenery has something special to it and is truly worth watching. Robert De Niro delivers another excellent performance, and surprisingly, Jeremy Irons tries his best as well. The script is relatively simple, and Roland Joffé attacks the audience with emotions, which are especially abundantly conveyed towards the end of the film – the political intrigues play only a secondary role. Overall, it's a strong above-average film, the Oscar nominations are well-deserved. (24/03/2006)

A film with a lot of superlatives: Jeremy Irons's best film, one of De Niro's best roles, Morricone's most beautiful music. Brilliant film. (16/10/2007)

Let's think of this film as a very ordinary puzzle where one piece features amazing actors, another features Ennio Morricone's haunting music, and another features the spectacular and magical South American setting where the story takes place. They are all a joy to look at, but they are not easy to put together. Roland Joffé has taken great care, however, and The Mission is a well-thought-out and hugely impressive whole that slowly works its way into the viewer's mind and ultimately gets as deeply under the skin as the human wickedness it depicts deserves. For some, it may be too worn out and self-indulgent, but in fact everything in this film makes sense, and in its effort to make the viewer think and learn, The Mission has my endless admiration, even if it may never be one of my top films. (08/06/2012)

On ne fait plus de films comme ça de nos jours. Mission est une œuvre parfaite à tous égards. L’histoire elle-même est très forte et elle est soulignée par la beauté des paysages et de la cinématographie, la qualité du jeu des acteurs, et bien sûr par une musique inoubliable. Ennio Morricone est probablement le seul à pouvoir composer une mélodie qui dépeigne aussi parfaitement les éléments de la terre, la nature, et simultanément l’essence même de l’homme. Sa musique, tout comme les paysages de l'Amérique du Sud, est à la fois harmonieuse, paisible, mais aussi débridée et trompeuse. Derrière elle, toutes les cruautés de la fin semblent inutiles et absurdes. Ne mettez pas autant de temps que moi à voir ce film, vous ne serez pas déçus. (16/09/2016)