Résumés(1)

Il était une fois un royaume peuplé de petits habitants apppelés les Nelwyns. Ce peuple paisible était dominé de temps immémorial par les Daikinis, gens de grand taille gouvernés par la cruelle reine Bavmorda. Or il advint qu'un prophète annonçât la naissance d'une princesse appelée à detrôner Bavmorda. La terrible reine ordonna alors de tuer céans tous les nouveaux-nés du royaume. Elora échapppa au massacre et ce fut Willow, un jeune Nelwyn féru de magie, qui la recueillit. Mais Bavmorda n'avait pas dit son dernier mot... (texte officiel du distributeur)

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Critiques (3)

gudaulin 

Toutes les critiques de l’utilisateur·trice

anglais If Willow has anything to say to today's young audience then I don't know what it is because I have long outgrown childish films. Once upon a time, the film was intended for the so-called "family audience." But adults, unless influenced by nostalgia, now have a much wider selection of fantasy films that have pushed the genre forward toward better technical processing, more thoughtful construction of fantastic worlds, and higher-quality scripts. In my eyes, the film is brought down by boundless naivety, its awkward style of humor, the antics with the little creatures, and much more. I wouldn't have been thrilled with Willow even during its premiere, and since then, it's aged painfully. Overall impression: 25%. ()

lamps 

Toutes les critiques de l’utilisateur·trice

anglais Very nice. An old-school fantasy film in the vein of The Princess Bride with a world that carries the traditional Lucas theme of an unlikely hero-saviour. The scenery is gorgeous in places, it doesn't feel like Howard is just behind the camera making sure the shot has the right angle to accommodate all the gratuitous effects. On the other hand, the often practical effects never slow down the narrative thanks to skilful direction, and the appearances of all those supernatural creatures, which the characters foreshadow in dialogue at the beginning of the journey, always have a specific charm. The cast is carried along not only by the likeable Warwick Davis, but especially by Val Kilmer with his sharp tongue and ultra-romantic lines – he may be a jerk, but he has charisma to spare. If it weren't for the more static finale, which is far from equal to the grotesque and at the same time scary passages with the dragon and the trolls, I would give it full marks. The genre's playfulness and sincerity won me over. ()