Résumés(1)

Erika Kohut, la quarantaine, est un honorable professeur de piano au Conservatoire de Vienne. Menant une vie de célibataire endurcie chez sa vieille mère possessive, cette musicienne laisse libre cours à sa sexualité débridée en épiant les autres. Fréquentant secrètement les peep-shows et les cinémas pornos, Erika Kohut plonge dans un voyeurisme morbide et s’inflige des mutilations par pur plaisir masochiste. Jusqu’au jour où Walter, un élève d’une vingtaine d’années, tombe amoureux d’elle. De cette affection naît une relation troublante, mouvementée et perverse entre le maître et son disciple. (MK2)

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Critiques (4)

gudaulin 

Toutes les critiques de l’utilisateur·trice

anglais Michael Haneke does not make pleasant and beautiful films, but rather unsettling dramas that injure and leave behind a strange aftertaste. However, or perhaps precisely because of this, it is not a bad film. It portrays a possibly not widely spread, yet realistically existing world of sexual deviances of people distorted by constant pretending, secrecy, and unfulfilled desires. It is definitely a more realistic view of a certain aspect of eroticism and interpersonal relationships than Shortbus, which I recently watched. Moreover, the film has excellent performances, led by Isabelle Huppert. She excels in her role as a psychopathic teacher. If something bothers me about the film, it is the excessively long duration. Some scenes are unnecessary and others are drawn out. Overall impression: 80%. ()

NinadeL 

Toutes les critiques de l’utilisateur·trice

anglais Elfriede Jelinek's work is better known outside the wave of interest generated by the Nobel Prize. Enough time has gone by at this point. But it's hard to imagine the buzz generated around this art film without a connection to the buzz around the Nobel Prize. It's cyclical, which is actually a shame. The Piano Teacher deals with topics that should be discussed but are not. It is fascinating that something as simple as a mother-daughter relationship can turn into something so complicated and devastating. ()

kaylin 

Toutes les critiques de l’utilisateur·trice

anglais I definitely do not consider myself - nor can I consider myself - an expert on Michael Haneke, but I think I can confidently say that he is one of my favorite directors. And that's after only seeing three of his films. The first one was "Funny Games," which I must admit left me quite disappointed. What he dared to do at the end was something extra that simply didn't belong there. Why? Similar script interventions are usually detrimental, unless you're Charlie Kaufman. The second film, on the other hand, truly impressed me. It was, of course, the Oscar-winning "Amour." A film that leaves you with incredibly deep emotions. More: http://www.filmovy-denik.cz/2013/02/pianistka-2001-85.html ()