Argo

Le sujet sérieux d’Américains en danger de mort, bloqués en Iran, est allégé avec tact par une approche hollywoodienne ludique. La réalisation est joliment maîtrisée ; Ben Affleck mûrit. Les scènes cliché du dernier tiers (les billets obtenus au dernier moment ; la course pour attraper l’avion) ne reflètent sans doute pas les événements de manière fidèle, mais elles fonctionnent bien dans le concept du film où un problème politique de la vie réelle est résolu à la dernière minute par un héroïsme hollywoodien digne d’une bande dessinée. Les visuels sont soignés, la distribution réjouit et l’ambiance de l’époque est bien retranscrite. Et la musique d’Alexandre Desplat est sublime. (07/02/2013)

There’s no more boring and hackneyed cliché in recent times than the constant emphasis on how much better Ben Affleck is as a director than as an actor. (26/02/2013)

Ben Affleck confirms his quality as a director. This time, and based on the responses from abroad, he hit the bullseye of the taste of the American public and critics, and it’s no wonder. Argo is a decent period piece, a thriller, a drama, has a pinch of filmmaking comedy, it’s based on real events and you end up rooting for the clever and nice Americans. And from a genre perspective, it can be viewed without any politics. Personally, however, it didn’t captivate me, maybe because the climax relies too much on coincidences, and though the tension escalates nicely, the overall pleasant realistic feeling is lost. But overall, it’s your typical well made four star film, and a nice scapegoat for anti-American posers. (30/11/2012)

Ben Affleck really is the man. I must admit that I never believed that he could be the leading representative of decent and intelligent Hollywood of this day and age, but every new movie he makes is such a smash hit that my brain is having a hard time coping with such amounts of quality. Argo may not be a five-star smash hit and that’s only because it drags on a bit at the beginning and it takes a while for the movie to finally get to the action. But once the action starts, which is actually the entire second part of the movie, your heart will stop beating with all the suspense the same way it did for me. The story itself is absolutely amazing and interesting and I wouldn’t be surprised at all if Argo wins the Oscar for Best Picture. It has all the traditional Oscar-winning qualities, so we will see. For me, this was a job really well done about a certain chapter of CIA and Hollywood history, which couldn’t have been filmed any better. Yeah and Ben Affleck was absolutely perfect in his role. (24/02/2013)

Not the event of the season - American critics and audiences must logically be enthusiastic about a film that is not foolishly simplistic, but at the same time is able to maintain popular schemes and a certain "power-film" patriotism. From my point of view, I appreciate the clever and functional montages (reading the Argo screenplay / drastic scenes from Iran - the heist parallel "escape planning / pursuit procedure"), the famous self-defeating humor of the Hollywood storyline and the escape sequence shot exclusively in detail and semi-details - retro styling and camera movement by Rodrigo Prieta are a pleasure in and of themselves. However, after a "problematic" political introduction, Argo finally capitulates to the tried-and-true schemes, but this does not degrade the fact that Ben Affleck made another uniquely-crafted film, which I "purely enjoyed". (24/11/2012)

As excellent as he is a director, he is simply a little bland as an actor. He proves the first not just in the opening, most powerful scene of the year, but throughout the movie. He manages to demonstrate immense bravado as a director, building up stifling tension in a story where you know what happens, while poetically interleafing political thriller with satire on a burned-out "_llywo_d". He also proves his acting (non)skills throughout, tripping himself up by otherwise casting acting aces in the other roles, or at least actors who constantly out-act him. This said, most detrimental turned out to be the airport finale where he comes across like an unintentional parody of himself. Certainly cinematic exaggeration of reality is one thing, but dishing out so many clichés in ten minutes is just too much. It is all the more surprising because up until that point he has been avoiding them and going his own way. So, in the end no new Munich or Baader Meinhof Complex occurs, it’s just too naive and shallow for that, but ranking it amongst them is sufficient recognition of Argo’s qualities. (29/11/2012)

Among film fans, it is a well-known fact that Ben Affleck is a much better director than an actor. But he is apparently not such a good director that he realizes the limits of his acting skills and adjusts the casting of the main character accordingly. That is unfortunate. What Ben Affleck builds in the director's seat, the same Ben Affleck tears down in the lead role with his bloodless performance. It's certainly not embarrassing, but it needed to be cast with a top-notch character actor. Ben Affleck's ability to create and maintain tension, his meticulousness in capturing the atmosphere of the 70s, as well as the revolutionary conditions in Iran after the fall of the Shah, still remain. In the field of political thrillers, it's not at the absolute peak, because Ben Affleck couldn't avoid a few unnecessarily melodramatic moments or getting emotional in family scenes, and the viewer's suspense is further marred by the fact that a film based on a true story has nothing to surprise you with and you simply know from the very beginning how it will end. On the other hand, it is a strong above-average film and it is a joy to watch such a well-executed screenplay. Overall impression: 75%. (19/04/2015)

A precise picture. Ben leaves nothing to chance, unlike the Yankees on this operation. He knows very well what he can and can’t get away with. It’s not such a blockbuster as for instance The Town, but even so, Argo is pretty original, ingenious and historically accurate. Ben’s acting is rather dry, not attracting attention to himself (maybe a bit of a shame), but he’s still cool. In terms of acting, no problems with this movie. De-restricted material about how some non-existing dumb sci-fi saved lives will shut the mouths of people who badmouth sci-fi fantasy movies for being irrelevant. Argo is one of those irresistibly cheap combos of Star Wars and John Carter that has something to say to people in this century too. A bit of a problem is contrasting sprightly Hollywood (still with the old, tumbledown sign - the period accuracy is spot on) and Iran where a city-slicker hangs from the crane by his necktie. In any case, it’s a quality genre movie and I can’t wait for another movie with Ben. Argo fuck yourself. (04/12/2012)

A smart and very thoughtful reconstruction of historical events that has been missing here for a long time. The film beautifully oscillates between serious drama and accomplished satire, intertwining both key elements in individual scenes from side to side. The whole thing appears mature, intelligent, and it is damn entertaining and captivating to watch. Ben Affleck also hit with the costume design, the sets, and the cinematography. The performances are brilliant by all involved. (12/02/2014)

Affleck didn't disappoint again. This time his work may not have that much panache and the viewer has to endure the first half of the film without any emotional basis for the events rather than experience them, but the final, one could say riveting, passage convinced me to give it a high rating and especially about Affleck's qualities as a director. A well-drawn tense situation, a beautiful period atmosphere, a surprisingly decent performance by Affleck and pleasant allusions to the deceitfulness and depravity of the movie industry, all this against a backdrop of a great escape that, in the end, had me completely engrossed and keeping my fingers crossed for the heroes as much as I have done for any film in a long time. Plus the necessary dose of clichés and the mandatory diversion towards the audience, which increased the dynamism and impact of the climax. My Oscar favourites this year may have been made of completely different dough, but Affleck rocked the academics in such style that he couldn't possibly lose. Patriotism is highly addictive, especially when it’s portrayed with such quality. "Argo, fuck yourself!" (10/03/2013)

Un chef-d’œuvre de réalisation signé Ben Affleck. Peu de temps après The Town, voici que je regarde son film à ce jour le mieux coté et celui-ci me satisfait encore plus. Bien que je ne sois pas friand de tout ce que les Américains ont fait et font encore dans le monde, cette action non violente visant à sauver cinq diplomates ordinaires et une civile m’a fait serrer les poings et retenir ma respiration vers la fin, même si je savais comment le tout allait se terminer. Il y avait bien sûr des lourdeurs à l’américaine, mais il n’empêche qu’Argo a laissé en moi une impression forte ainsi qu’un profond désir d’élargir ma conscience historique autour de la révolution iranienne. J’ai d’ailleurs déjà jeté un coup d’œil à quelques publications sympas traitant de l’Iran sur des sites de livres. (26/12/2013)

I am very glad that Ben Affleck realized quite early on that he is not such a good actor, but that he might have talent for other professions in the film business. In 1998, he discovered that he has a talent for screenwriting because he won an Oscar for the screenplay of the film "Good Will Hunting" together with Matt Damon. What surprised the whole world even more was the fact that Ben is a great director. He proved it with his first film "Gone Baby Gone", and even more so with the film "The Town", but perhaps the most surprising thing was when he finally ventured outside of the city and surprised both critics and audiences with the film "Argo". More: http://www.filmovy-denik.cz/2013/02/argo-2012-85.html (09/04/2013)

Tense, well acted by the aptly chosen cast, believable; Argo really deserved that Oscar. Ben Affleck had already proved in previous films that he could eventually make it as a director more than an actor, and here he has once again taken it to the next level. Throughout the film, you really believe the hopeless situation the American diplomats in Iran were in. By the end, though, I thought it was a bit overdone with the last-minute chasing of everything as they escape. After all, it couldn't realistically have been that intense, and I don't think the ending had to be so eye-popping and happy. Despite this, I would still call the film one of the highlights of the year, thanks to the brilliantly chosen premise. (27/02/2013)