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Gábor is an office cleaner. Wearing overalls and a baseball hat, he seems insignificant. Working on the night shift, Gábor rarely has any contact with his employers, yet he learns everything about them by thoroughly analyzing their garbage. Since he is almost invisible, nobody suspects that Gábor is, in fact, a con man who carefully chooses his victims by the trash they leave behind. His targets are mostly disillusioned, lonely women. In a few months he destroys all their romantic illusions by taking all their savings. Having an unusually high IQ and an ability to assume various personalities, Gábor is an expert in manipulation. When he gets a job at a psychologist’s office, Gábor meets Hanna, an injured dancer who happens to be the daughter of a millionaire. Insecure and vulnerable, Hanna seems to be the perfect victim. Gábor pretends to be a doctor who can cure her body and her soul, an irresistible offer for a desperate woman. Everything goes according to plan until Gábor falls in love with Hanna and has to make a hard decision between her and the money. (Paycom Multimedia)

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français Vu dans le cadre du « Challenge Tour 2015 : 30 jours de cinéma mondial ». Film numéro 7 – Hongrie. Une agréable surprise en provenance de Hongrie, sauf qu’en écrivant cette critique, j’ai pris honte en me rappelant qu’au cours d’une réunion du Visegrád 4, j’avais fait l’éloge des films polonais avant de confier sèchement à ma collègue hongroise qu’à part I. Szábó, le cinéma hongrois ne valait pas un sou. Kaméleon est une fable moderne avec un léger côté thriller dans le sens où qui s’y frotte, s’y pique. J’étais tendu du début à la fin, je n’ai pas eu le temps de m’ennuyer et j’ai apprécié la fin non américaine. Quatre étoiles bien méritées. ()

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