Juno

Juno ne gagne pas le spectateur par l'histoire, mais par sa légèreté et sa sincérité avec lesquelles elle est présentée. Et par la sympathie des personnages principaux. Ellen Page est magnifique. (30/04/2009)

I think the movie accurately describes a real 15-year-old girl who does what she has to do when she gets pregnant. The movie doesn't intrude or try to hijack the viewer with the American movie "stereotype". It doesn't have the usual situation where Juno realizes she wants a baby (...blah, blah, blah). The film is good, hence the 3.5 stars. And Reitman disappointed me a bit... (19/10/2010)

The strong drama of the substance blends surprisingly well with Reitman's cheeky comedy, which I enjoyed in his short films and also partly in his previous cigarette satire. Yet I still can't shake the impression that the feature-length runtime forces it into an incomprehensible brevity that fails to answer many questions. It’s too bad that Cera's loser is still as unsympathetic as he was in Superbad because Page’s obnoxious brat has grown into a lovable brat and a real actress. 3 ½. (and the big question mark over so many Oscar nominations). (24/01/2008)

Juno is actually such a sweet little kitten. She scratches and bites like a small predator and as such brings me great joy. I sympathize with her, root for her, and I can't understand how Paulie can be such a fool, just standing there and being afraid to thoroughly explore what happiness can bring him. But as soon as the kitten calms down, curling up into a small ball, everything settles down and everything goes downhill very quickly. And no matter how much Ellen Page tries otherwise, she doesn't have much to play in a serious, tearful situation. The nostalgia of adolescence and the bittersweetness are perfect. However, the purely serious position and surprisingly lukewarm ending take away the positive impressions. (01/06/2008)

"This is even better than Suspiria." Juno can’t avoid being compared to Knocked Up and Napoleon Dynamite. Which is being a little unfair to all three movies. One of them is similar in topic and the other seemingly “geek" in atmosphere, but otherwise they have practically nothing in common. Unlike in Napoleon, everybody is normal here, although a little eccentric here and there, and they deal with everyday problems. Unlike Knocked Up, this movie plays on a more serious note. Which doesn’t in the least mean that Reitman Jr. doesn’t entertain us with superbly apt humor, despite the serious topic. And it does this even without the help of a thousand and one pop-culture references. Unlike Judd Apatow. Juno is a very comely and pleasant picture which is paradoxically held back most by its most boasted asset. Ellen Page. I’m not saying she doesn’t play excellently, but sometimes she overdoes it a little. And purely personally, I was also disappointed that Paulie’s storyline was sidelined. That character is so likeable that I would most like to see this movie made through his Tic-Tac eyes. (22/01/2008)