Résumés(1)

Emily Jenkins est assistante sociale. Elle pense avoir tout vu parmi les situations familiales les pires... jusqu'à ce qu'elle ait entre ses mains un dossier bien mystérieux, celui d'une enfant de 10 ans, Lilith Sullivan. L'assistante sociale est convaincue que Lilith est maltraitée par sa famille, ce qui sera vite confirmé quand les parents essayeront de tuer leur unique fille. Emily parvient à arracher la jeune fille à son foyer et décide de la garder avec elle en attendant une bonne famille d'accueil. Mais elle ne tardera pas à découvrir que Lilith n'est pas si innocente qu'elle le pensait et que les apparences sont le plus souvent trompeuses. (texte officiel du distributeur)

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Critiques (2)

J*A*S*M 

Toutes les critiques de l’utilisateur·trice

anglais Solid picture. Case 39 will surely be compared to Orphan, but it’s more horror, more B-movie, and also weaker. The main problem is that whereas Orphan had the likeable Vera Farmiga and the demonic performance of Isabelle Fuhram, in Case 39 Renée Zellweger is likeable only alternately (really, my feelings for the heroine changed every five minutes) and Jodelle Ferland is very unconvincing. Alvarta does show some talent, but he still has a lot to improve. I have mixed feelings due to several moments that disrupt an otherwise proper horror experience and they appear with ironclad regularity throughout the film. I’d really love to know what happened in the three years that passed since the film was made, because the trailers have a pretty interesting scene that never appears in it, and also a couple of scenes that I don’t think belong there, considering the plot. ()

lamps 

Toutes les critiques de l’utilisateur·trice

anglais From the fetid swamp of today's wannabe suspenseful, awkward and predictable horror films, this psychological thriller undoubtedly stands out. Orphan, made in the same year, is formally and narratively more interesting and daring, but the mysterious black-haired girl has something to offer here, too. It’s true that from the middle onwards we only wait for the slightly predictable climax, but on the other hand, the very simple script is perfectly supported by the impressive atmosphere of evil and supernatural that runs through the whole film together with the main character. It's a pity they didn't cast another actress, because I just don't like Renée Zellweger, and I don't like her dumb face in any serious film. Overall satisfaction, but if I gave the aforementioned Orphan 4*, justice calls for 3* here... ()