Réalisation:
Roger CormanScénario:
Richard MathesonPhotographie:
Floyd CrosbyMusique:
Les BaxterRésumés(1)
Régnant en maître sur la lugubre demeure Usher avec sa soeur Madeline, Roderick Usher est un personnage étrange et inquiétant. Ses sens sont si sensibles que le moindre bruit, la moindre odeur ou le moindre contact furtif, lui provoquent des douleurs atroces. Lorsque Philip Winthrop vient rejoindre Madeline pour l'épouser, Roderick voit d'un mauvais oeil cette union. Pour Philip, il devient évident que, la maison n'est pas une simple demeure... c'est aussi une tombe ! (MGM/United Artists)
(plus)Vidéo (1)
Critiques (4)
Un an plus tard, le frère tourné Jama a kyvadlo, qui repose sur une prémisse très similaire, contenait un peu plus de mystère et de tension, et avait une fin plus intense. Mais encore une fois, la scénographie, les costumes et les acteurs étaient formidables.
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One of Roger Corman’s best horror films, but nothing to write home about. It looks beautiful, but there’s not much happening, unfortunately. Thumbs certainly up anyway. 75 %
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A traditionally charismatic Vincent Price with his unmistakable, delicious delivery. Beautiful, intimate stylization. Unlike other Corman movies, this one even follows the book it’s based on. Which, paradoxically, was a huge mistake. This excellent tale by Poe just doesn’t have what it takes to fill the entire eighty-minute running time. And so the story-making places are filled with Philip Winthrop endlessly roaming the Usher’s family home. He walks and walks, then talks with Roderick or some butler and then he walks and walks again, and if the movie hadn’t ended, he would still be walking to this day...
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I love the atmosphere of huge and gloomy houses, where a dark secret could be hiding behind every door. So when the unsuspecting Philip arrived at the House of Usher and the soft voice of Vincent Price as Roderick spoke for the first time, I purred with delight. When the master of the house grandly announced for the second time that the newcomer had no idea what was happening in the house, I glanced at my watch and thought it was about time that the supposedly terrifying "something" could show itself already. And yet as the story progressed solely through everyday plot twists followed by verbose dialogues, I realized that not every suspenseful story can be made into a gripping film. At least a well-graduated ending can offer breathtaking moments like the "hugely suspenseful scene full of evil faces in the paintings." It's not exactly disappointing, but it's difficult to find a pronounced surprise in the House of Usher.
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Annonces