Le Loup-garou

Bien que je sois fan de l'époque et du genre, je ne peux pas donner plus de 3 étoiles à "Vlkodlak" de George Waggner. Ce film se déplace paresseusement dans des clichés sûrs, il est prévisible, il ne parvient pas à surprendre, l'actrice rom ne sait pas jouer et les décors embrumés d'une forêt de 20 mètres carrés ne lui ajoutent aucun charme. De plus, le drame père/fils ne donne aucune dimension plus profonde à ce film. La seule chose qui en fait un classique est la performance de Lon Chaney. Si rien d'autre, au moins le scénario écrit avec plus d'imagination offre une alternative à "Werewolf of London", tourné 6 ans plus tôt. (18/02/2007)

A promising premise shrouded in fog and supported by competent actors and a reasonable runtime, but that thrashes in a blanket of stagnating creativity, lacking a moment of surprise. Chaney is great and the beginning is exciting, but the most anticipated passages go around the viewer with a lack of expression that even the date of production cannot excuse. The transformation into the hairy monster is sloppy, and overall there is no dramatic drive that could satisfactorily sell the potential of the setting and escalate the tension to the heights that the comedic An American Werewolf in London reached with absolute mastery, and the fact that this is primarily a tragic drama about dealing with an unenviable fate does not change things much. The ending is OK, but I expected much more from a legendary horror film from my favourite era in the genre. (21/03/2019)

"As if dead men didn't have all eternity." A Universal classic that has only one significant flaw. A truly appalling “blow-dried" werewolf mask. Here the creators should have taken inspiration from Werewolf of London. And this is also true of the unimaginative superimposition during transformations. Otherwise, only positives remain. Chaney is the embodiment of charisma, and here he is clearly in his element. It is also full of tension, the music is first rate, and we even get atmospheric fog - served to us as a delicacy. It certainly does not copy the plot of its six years older (and better) brother from the city upon the Thames. It goes its own way. A way that has now been recycled countless times. Thus to reproach Waggner's Wolf Man for its classical scenario is not entirely, in fact not at all fair. (16/03/2008)