Résumés(1)

En Californie, le port d’Antonio Bay fête son centenaire. La légende raconte que les marins d’un navire naufragé un siècle auparavant, reviendront se venger par une nuit de brouillard. Le Révérend Malone découvre le journal de son ancêtre qui explique que le navire avait été coulé par six membres fondateurs de la ville. Pour expier leurs fautes, six victimes doivent périr. Or, une brume maléfique commence à semer la terreur et la mort sur son passage... (Splendor Films)

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Critiques (6)

POMO 

Toutes les critiques de l’utilisateur·trice

français Après un excellent et captivant début, vient une introduction avec le dénouement du mystère. Plus nous nous rapprochons de sa résolution et du dénouement lui-même, moins nous avons peur. The Fog est très bien réalisé en format large, avec une musique décente et une atmosphère "carpenterienne", mais elle manque de mystère dans l'histoire, comme l'avaient Halloween ou The Thing. Savoir QUI ILS SONT et POURQUOI ILS TUENT aurait dû être seulement suggéré, et non servi sous forme d'un conte absurde. ()

Isherwood 

Toutes les critiques de l’utilisateur·trice

anglais In the dense fog so thick it could be cut, the shadowy figures walked by. Given that John Carpenter directed the film at a time when he truly excelled, it was enjoyable to watch. Like most of his films, Carpenter built The Fog on atmosphere and suspense. The simple plot (excellently introduced through an old sailor) is told in less than ninety minutes and doesn't lack anything that a proper good old "B" horror should have. The lack of character psychology is compensated by their diversity, and also by the uncertainty of who will be next and how many more are yet to come. Certainly, for some characters, survival can be predicted based on certain audience sympathies, while for others, the leper-like sailors might disappoint in their choices because, in such a quantity of characters, some would undoubtedly deserve to die more. Indeed, when you see the rolling fog with figures slowly walking, carrying a hook in their hand, you forget even the basic bodily needs to sustain life, such as a heartbeat or breathing. And because I felt so "comfortable" with the film, I'll throw in a fifth (though admittedly undeserved) star. ()

gudaulin 

Toutes les critiques de l’utilisateur·trice

anglais Of course, the special effects used in this film have significantly aged and the theme is downright outdated, as if from the 1920s. However, Carpenter is a master of B-movie horror and can make the most out of very little. The film has atmosphere, and there are more jumpscares and tension-inducing scenes than in contemporary horror films filled with digital effects and that have decent budgets. A job well done, overall impression: 60%. ()

D.Moore 

Toutes les critiques de l’utilisateur·trice

anglais Awesome horror - how little you need, right? Carpenter made do with fog that could be cut with a saber, six undead sailors, minimalist music... And with a talent for building tremendous tension. What happens during the opening credits is powerful, but the rest of the film doesn't particularly lag behind either. What I like most about The Fog, though, is its tone, because at the end everyone can be satisfied - the people of Antonio Bay and Blake's sailors. It's up to you who you cheer for.__P.S. I loved the last shot. ()

lamps 

Toutes les critiques de l’utilisateur·trice

anglais Exactly the kind of horror I always welcome. The tension is so thick you could cut it, with mysterious characters appearing in an impenetrable and unstoppable fog, and a perfectly chosen score – simply John Carpenter at the peak of his game, having a proper and solid warm-up before the legendary The Thing. The story is nothing to write home about, but the disturbing aroma advancing together with the frightening fog cloud makes up for everything several times over :-) A horror classic that definitely deserves due respect... ()