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Based on true events and the novel of the same name. Vice detective Bob Hightower finds his ex-wife murdered and daughter kidnapped by a cult. Frustrated by the botched official investigations, he quits the force and infiltrates the cult to hunt down the leader with the help of the cult’s only female victim escapee, Case Hardin. (XYZ Films)

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POMO 

Toutes les critiques de l’utilisateur·trice

français Maika Monroe est la seule à faire un peu tenir ensemble ce drame assez bancal sur la recherche d’une fille kidnappée, qui est aussi un thriller sur la lutte entre des mortels et une bande de loubards déjantés, et une idylle inattendue entre deux marginaux paumés. Sur le plan de l’émotion et du suspense, le film ne fonctionne pas vraiment, avec une brutalité comiquement incongrue et une tentative ratée de choquer en présentant des « méchants » excentriques. Parmi ces derniers, seul Karl Glusman joue bien son personnage et se montre convaincant. Et Jamie Foxx est surprenant dans un rôle secondaire. Sinon, il n’y a pas grand-chose à se mettre sous la dent, les dialogues sont superficiels, la mise en scène est décousue et le personnage principal interprété par Nikolaj Coster-Waldau est insipide. ()

J*A*S*M 

Toutes les critiques de l’utilisateur·trice

anglais That's how I imagine “something terribly harsh and uncompromising” can be conceived by someone who has otherwise spent a lifetime making weepy and weepy dramas. Yeah, , really, if it hadn't run a monstrous 155 minutes, I'd recommend it as an unintentional comedy. Poor Maika Monroe, how did she get that way? ()

Annonces

Baru.Class 

Toutes les critiques de l’utilisateur·trice

anglais Well, where do I even begin... if this was supposed to be a comedy, it wasn't funny; if a drama, it bored me, and if a romance, it was completely emotionless. If I understood it correctly (which I've been struggling with in movies lately), it was supposed to be a gloomy thriller about a terrifying cult, but instead, it turned into an ultra-awkward and bizarre something with extremely "tough" tattooed guys. It didn't work out, and it's only saved by a few good fight scenes with detached limbs. There's no deeper message to look for in this, it's just a waste of time. ()

Necrotongue 

Toutes les critiques de l’utilisateur·trice

anglais Wow... As a gritty, action-packed B-movie, it would easily earn four stars. It didn't hold back on the intense action sequences, delivered plenty of bloodshed, and stuck to a predictably simple plot. However... The screenwriter was obviously a fan of movies like Taken and the Mad Max series, resulting in a somewhat disjointed fusion of these influences. Despite my best efforts, I couldn't take this attempt seriously. Being a fan of the Far Cry video game series, I couldn't help but draw comparisons; the crazy cult reminded me of Far Cry 5, and the fascination with tattoos echoed Far Cry 3. However, Cyrus lacked the charisma of Vaas or Joseph, and his gang of henchmen felt inane. Nikolaj Coster-Waldau was particularly disappointing – I've seen him in a better shape. The overly loud soundtrack didn't help matters, and despite all the mayhem, I found myself bored at times, which was quite unexpected. / Lesson learned: Your typical American family movie. ()

EvilPhoEniX 

Toutes les critiques de l’utilisateur·trice

anglais A hefty revenge flick with high Intensity of gore and violence!! God is a Bullet is a fucking raw, unpleasant, brutal, depressing crime drama with a touch of 80's thrillers that gets under your skin and engages despite its B -grade story. The director has two decent actors at his disposal. Nikolaj Coster Waldau, here plays a cop whose wife is killed by a satanic cult, who kidnap his daughter (the opening home invasion scene is really intense), who with the help of Maika Monroe (a former cult member) will try to save his daughter, which won’t be possible without a bunch of dead bodies. The film may have a longer running time of 150 minutes, but it is riddled with violence through and through that kept me constantly on my toes and I liked that. There's a decent soundtrack, and the bad guys are really sleazy, unpleasant and creepy. Tattooed individuals that really give you fear and dread, and are very uncompromising, even towards their own. The atmosphere is bleak, dirty and dark from the very beginning to the end, and I was surprised by the chemistry between Monroe and Waldau, which manages to evoke emotions at the end as well. The best part of course is the finale, where Waldau plays Rambo and unleashing carnage, with a very high body count. There's a lot of gore and the practical effects are a delight (a jaw begin ripped off, a face blown-up, a shotgun blasting off limbs – that was downright beautiful). A lover of violence and dark dirty thrillers featuring a twisted Satanic cult should find this to their liking. I really miss genre films like this. 8/10. ()

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