kaylin

Alright then. Wes Anderson absolutely won me over with this, mainly because he cast Ralph Fiennes in a role that perfectly suited his British acting. I had a great time, it is wonderfully magical, and once again I enjoyed a variety of great actors in amazing little roles. The best Anderson I have seen.

Another beautiful example of how great Hammer studio was in these small, inconspicuous films. Excellent characters, excellent plot, which is true, a bit drawn out and true, ending a bit standardly, but it doesn't change the fact that you are constantly in tension, constantly in anticipation and you are groping just like the main hero.

A great classic and apparently one of the first films that can be labeled as a noir film. It's difficult because expressionism played with shadows similarly, and on the other hand, "The Maltese Falcon" somewhat avoids them, but the story about a statue that still cannot be found is brilliantly functional, and it also surprises with humor, not to mention the great ending.

What happens when you move your family and suddenly realize that the girl living in the house just swallowed some pills and is just waiting for the embalmers to take care of her? But neither the young man, who doesn't move much, has such intentions as it seemed at first glance. Such drama-no drama, which plays with the situation, but doesn't make much of it.

I prefer other Aronofsky's movies, it is quite clear also from the ratings, but you simply cannot deny that this one has something to it, that it is primarily a story about the beauty of life and love. It is evident that Aronofsky is truly well-read in the Old Testament, as he demonstrated with his film "Noah", but neither in this case does he necessarily follow the traditional religious path, but adapts everything to himself. However, "The Fountain" is not a greater work because of it.

"Wrong Turn 5: Bloodlines" is completely off track. Most of the horror series production nowadays is more believable, suspenseful, and terrifying, with better sets, better scene arrangement, and less boredom. Declan O'Brien has resigned from tension, and the characters' comedic mocking becomes the film's motto. I enjoyed some songs from the soundtrack the most, even though they didn't fit into the scenes, at least I could enjoy them.

Henry Fonda is incredibly adorable in the role of a dimwitted rich man, whom a beautiful stranger wants to swindle for money. However, not everything goes as planned and everything turns out differently. Sure, it's a bit cliché, but the performances are so excellent that you simply have to enjoy this comedy, including the absurd repetition of some funny elements.

Well, that within the zombie genre it is no longer possible to come up with something original. The opposite is true and the film "Rest" clearly proves it. I'm not saying it's a great movie, but it's quite original within the zombie genre. It's interesting in that it's silent, it's good with its masks, and in the end it even amuses with a good twist when you realize what a nice romance it actually is.

Sometimes, when you exaggerate with celebrations and you're still young, this is how it turns out. It's kind of absurd, almost surreal in places, but it's not really action-packed. It's simply a movie about how sometimes it's quite harsh to wake up from being drunk and realize that what happened before was quite crazy. There are a lot of similar movies, but this one is more dramatic. Surprisingly.

No, this won't knock me off my feet, because I don't really like the animation itself. Yes, the graphics are interesting, no doubt about that, but when it doesn't grab you, what can you do about it? The emotions remained hidden for me and that's all.