Résumés(1)

La très austère Phoebe Frost est envoyée à Berlin en 1946 pour enquêter sur la moralité des troupes américaines d'occupation. Elle ne découvre que marché noir et relations amoureuses entre soldats et jeunes Allemandes. Pis, une chanteuse de cabaret, au passé nazi, est protégée par un officier américain, celui-là même qu'elle avait chargé de l'enquête de départ... (Swashbuckler Films)

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Critiques (1)

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anglais The goddess Marlene and the musical genius Friedrich Hollaender have hardly left each other’s side since The Blue Angel, yet the highlights of their collaboration can be found in these two films. They came a long way in 18 years. Only the elite made it from the splendor of Weimar cinema to post-war Hollywood, so let's enjoy their reign and let them be guided by another of their experienced colleagues in Billy Wilder. On another level, one can appreciate the realistic exteriors of Berlin in the summer of 1947 and an entire series of great jokes. From the boy who constantly has the compulsive need to draw swastikas everywhere and always, to all those sentences embellished many times with the sonorous word "von." "Looks like you've got a date with five million von bricks." - "Has it stopped raining? If there are any puddles, you'll carry me, won't you, boys?" ()