Réalisation:
François TruffautPhotographie:
Denys ClervalMusique:
Antoine DuhamelActeurs·trices:
Jean-Pierre Léaud, Claude Jade, Delphine Seyrig, Michael Lonsdale, Harry-Max, André Falcon, Daniel Ceccaldi, Paul Pavel, Martine Brochard (plus)Résumés(1)
Antoine Doinel a connu une jeunesse mouvementée au cours de laquelle il a fait les "quatre cents coups". Lorsque l'action de baisers volés commence, Antoine quitte une prison militaire à l'issue d'un service militaire agité. A présent Antoine retrouve la vie civile, sa petite mansarde à Montmartre et, naturellement, il cherche du travail. Il sera tour à tour veilleur de nuit, dépanneur de télévision, manutentionnaire et aussi "périscope"?.... (Les Artistes Associés (United Artists))
(plus)Vidéo (1)
Critiques (1)
Part three of the loose pentalogy about Doinel. This time we get to see how his life pans out at the age of twenty-four upon being discharged from the army. I find him less likeable in Stolen Kisses, because he behaves as a womanizer, but for his development in the following parts, this is a significant episode. Otherwise, the classic Truffaut motifs are again presented flawlessly and the whole picture reeks of positive mood, because whatever may happen to the main hero, he plunges into new romantic and job-related escapades. Definitely an unusually high quality picture that is probably more interesting in the context of the pentalogy than as a self-standing movie.
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