La Voix d'Aida

A two-hour history show and a chilling, gripping drama about the genocide in Sebrenica! There have been plenty of World War II movies, but a film about the greatest tragedy in modern history has only just arrived. I put the film off for a long time, not even its Oscar win could convince me, but it became a virtue out of necessity and I gave it a chance. Although I would have liked some war action, or more detailed executions – the only way the attempt to shock can work – it won me over in the end. Fortunately it has a great pace, the main character Aida is always running around somewhere, solving things and trying to save her family from execution. The emotions work quite well, the atmosphere is chilling, and it's definitely a situation none of us would want to find ourselves in. The acting is also top notch and the UN is shown in a not nice light. 75% (16/04/2023)

An uncomfortable and exhausting film in which the female protagonist imaginatively steps not in glass slipper shoes but in the snowshoes of a Siberian officer in the space of a single factory. The impression of the inevitable failure of all those chaotically organised efforts gets under you skin and you just watch in resignation to see when and how it will happen. And even though the film doesn't require us to engage deeply and its message works very universally, the ending is truly chilling. When it comes to reconstructing tragic chapters of history with an emphasis on the overlooked yet privileged woman-power, this is the way to do it – and Jasna Duric gives an amazing performance for which she deserves all the Oscars in the world. 85 % (15/01/2022)

Un excellent morceau de cinéma européen qui place la barre vraiment haut. Et même si l’on sait – ou au moins si l’on soupçonne – dès la première minute vers quel dénouement le tout s’oriente, on ne peut que se délecter de suivre l’intrigue et les efforts déployés par l’héroïne à travers chacune de ses respirations. La Voix d'Aïda est un film prenant sur la vanité de ne pas abandonner et sur le fait que c’est important de s’accrocher malgré tout, même si on a souvent l’impression que tout l’univers joue contre nous. [KVIFF 2021] (15/09/2021)

Années 90, la fin de la guerre de Bosnie-Herzégovine vue par une traductrice bosniaque qui tente de protéger sa famille lors de l'évacuation de milliers de personnes, tout en assurant la communication entre les deux parties et les représentants de l'ONU. Son histoire et la manière dont les événements sont présentés sont particulièrement tendus et captivants du début à la fin, racontés à un rythme régulier avec une réalisation solide et un scénario bien développé (à l'exception de quelques coïncidences frappantes qui contribuent à l'intensité dramatique) joué par une actrice principale qui livre une performance exceptionnelle et totalement crédible. Le final cruel est encore plus déchirant et se rapproche d'un chantage affectif rendant le film particulièrement oppressant, ce qui correspond ainsi parfaitement bien aux événements réels qui l'ont inspiré le film. (21/08/2021)

I've seen the same stooped faces in almost every other movie about genocide, the same wild half-drunk aggressors also committing crimes. It's a cursed genre that tries to recall a traumatic history but is unwilling to portray it in all its horror out of respect. The entire historical experience is thus reduced to the details of tortured faces and uninventive crowd scenes, practices that unfortunately someone who is witnessing the eighth such cinematic approach to a similar subject has already been able to armor themselves against. As one shamefully unfamiliar with the realities of the Yugoslav war, I got the impression here that somewhere in Yugoslavia a hellhole had opened up and out of it crawled the lawfully evil Serbs, whose first words in the crib were "klevetajte svoje neprijatelje, gledajte ih gonjene pred sobom i slušajte jadikovke njihovih žena", and a rather black and white situation ensued. Which my experience with history in general tends to refute, of course. (31/12/2021)

After watching this alarming movie, I keep on wondering what the UN is good for. When the worst comes to worst, everyone just tries to save their own neck. Quo Vadis, Aida? is a masterfully crafted war drama that certainly deserves the attention of a wider audience. If only to make sure that we do not forget the atrocities that were committed on European soil in relatively recent times. (85%) (06/07/2022)

Very impressive and chilling coverage of relatively recent events. J. Duričić’s performance sends shivers down your spine. The way that cruelty and hopelessness is depicted is completely realistic and convincing. The tension in the movie rises perfectly, stirring your emotions. It’s a rough story, but we really should know even the dark moments of our history. (29/09/2021)