Le Pianiste

Un récit habilement raconté par le cinéaste, qui cristallise trop longtemps et trop impersonnellement sur ce qui finalement (ne) cristallise pas. (14/01/2003)

Another film that shows us, unaware viewers, that Jews had it very hard during WWII… Downplaying this topic is the last thing I want to do, but I really don’t need to see the hundredth film about the one and the same thing. The shallow parade of suffering by secondary characters, who show up, die or cry, only to be completely forgotten later by the script, can’t arouse any emotions in me. What’s a lot more impressive, though, is the almost post-apocalyptic survival storyline later in the film (if the entire film had that sharpness and atmosphere, it would be great!), but the events that follow it are very hard to believe. It’s very clear to me why The Pianist has received mostly positive responses (an untouchable premise and emotional blackmail can do a lot), but other than the fantastic performances, I don’t see anything I haven’t already seen elsewhere, and better… (19/02/2009)

I don't want to be too pathetic, but more films like this! So that people won’t forget the horrors that were committed, the horrors that the human race is capable of committing against itself, so that something like that doesn't happen again. And Adrien Brody, he blew me away! I completely lived his role with him, he was absolutely riveting and I'm so glad he got the Oscar. Just like Polanski, whose family was murdered by the Nazis and he knew very well what he was talking about – something clearly evident in this beautiful, haunting work. (01/06/2003)

It's easy to recognize on the Pianist that the film was directed by someone who personally experienced the horrors of war and the Holocaust. It is an exceptionally powerful and authentic testimony of the fate of Jews during World War II. Unlike Spielberg's celebrated Schindler's List, it is not calculated and polished, which is reflected in slightly lower ratings. Unlike Spielberg, Polanski chooses the form of a chamber drama of a single man, however, it is an exceptional, touching, and excellently acted film. Overall impression: 100%. (14/06/2006)

If Polanski hadn't indulged in almost autobiographical self-indulgence, it could have been a great film. But instead of focusing on the very strong story of the main character, the director inserted his own emotions and memories into his film, which don't have such power, although there was a lot of potential. Brody is scoring in astronomical numbers, but even that is not enough this time. (07/05/2006)