Résumés(1)

A story about the shifting friendships between a group of twentysomething Prague residents. Hustler Robert earns a living working for a travel agency arranging trips for Japanese tourists. But while trying to win over recent emigre Vesna, he begins to interfere with the love lives of his other friends, upsetting their current relationships and instigating new ones. (texte officiel du distributeur)

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Critiques (8)

lamps 

Toutes les critiques de l’utilisateur·trice

anglais What comes to mind when I think back about Loners? First of all, probably the stoned Machacek, who plays his unbelievable role in a completely believable and natural way, the dishevelled Trojan grasping for his ex-girlfriend Jitka Schneiderová, Němec and Maciuchova having dinner among Japanese tourists, Rašilov and Mitevska waiting for the arrival of a UFO, and all this in such an entertaining and novel package and supported by impeccably selected music that put David Ondříček in a very high position in the hit parade of Czech post-revolutionary films. And it can be much better on the second viewing :-) 4 and 1/2* ()

Marigold 

Toutes les critiques de l’utilisateur·trice

anglais Plastic. It is light, flexible, universally usable; it stinks and twists when exposed to heat. It's better not to confront this film with reality and think of it as a set of gags, because all this talk about generational testimony and whatever... I don't know, maybe I live in another world. But Loners seemed to me to be a backdrop construct, where the pot smoking is actually quite a fun thing, where everyone is young, beautiful, plastic. Even that solitude is something that our young and restless heroes undergo out of boredom, just another fun experiment in a sterile cardboard world. The highlight is Jiří Macháček, who is really funny at first, but when I tried watching the film again, his character started to get on my nerves. Not to mention some dialogues that are so obviously "funny" that they deprive me of peace of mind. It's not even a film anymore, it's exhibitionism. One of the more vital storylines is definitely the one with Ivan Trojan's well-acted loser and a few good and slightly chilling points (the scene with the Japanese)... ()

Annonces

NinadeL 

Toutes les critiques de l’utilisateur·trice

anglais This is a film that has supposedly become a generational statement. But I must add for myself that it was not communicated to me then or now. The forcibly inserted elements of UFOs, stoners, and the Japanese bring only empty dead ends and once again we are left with the classic "they parted at the beginning and reunited at the end" arc. Where is the added value? I suppose that the young people of that time were not particularly enthusiastic about either the Germans or Maciuchová. So, in summary, the Prague atmosphere and the La Casa blů bar are once again the best things about it for me. ()

gudaulin 

Toutes les critiques de l’utilisateur·trice

anglais I can basically sign Marigold's comment, my objections are very similar. It is an artificial product that is miles away from what I know from real life, and even though I cannot exclude that similar human types exist somewhere, I have definitely not met them. I do not deny a certain entertainment value of the film, although those characters are so "cool" and they utter such unbelievable lines that I find them unsympathetic. As a generational statement, it definitely does not hold up for me, but otherwise, Samotáři hover somewhere between two and three stars. Overall impression: 45%. ()

novoten 

Toutes les critiques de l’utilisateur·trice

anglais Zelenka and Ondříček proved that even here, a cult can arise during its own premiere, to which Mucha's perfect soundtrack and the acting gala presentation of the trio Macháček-Trojan-Rašilov contributed the most. In order for the lines to survive two decades thanks to a film created in the third millennium, it simply requires more than just luck and a bit of talent. ()

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