Twin Peaks - Série 1

(saison)
Drame / Mystère
États-Unis, 1990, 7 h (Durée : 46–94 min)

Artistes:

Mark Frost, David Lynch

Acteurs·trices:

Kyle MacLachlan, Michael Ontkean, Mädchen Amick, Dana Ashbrook, Richard Beymer, Lara Flynn Boyle, Sherilyn Fenn, Warren Frost, Peggy Lipton (plus)
(autres professions)

Épisodes(8)

Résumés(1)

Le corps nu d’une jeune Laura Palmer (Sheryl Lee) est retrouvé emballé dans du plastique. Cette macabre découverte devient le détonateur pour tous les habitants de Twin Peaks, tous détenteurs de sordides secrets. L'agent spécial du FBI, Dale Cooper (Kyle MacLachlan), venu pour enquêter, a lui-même des méthodes qui ont de quoi étonner... Saura-t-il découvrir qui a tué Laura Palmer ? (TF1 Vidéo)

(plus)

Critiques (2)

gudaulin 

Toutes les critiques de l’utilisateur·trice (pour cette série)

anglais At the beginning of the 90s, Twin Peaks was a cultural shock and the first harbinger of the rise of the phenomenon of quality TV dramas. Frost and Lynch came up with the idea of combining the widely used format of soap operas with crime drama, turning all the previous principles of serial practice upside down and proving that television production can be done differently, i.e., cleverly and innovatively. The plot was no longer important to them; the murder of the student was bait for the audience to be lured into the maze of strangely fluctuating serial characters and the maze of relationships of the inhabitants of a strange small town. The success did not rely on the story, but on the characters, with whom the authors entertainingly played. The series gradually adopted elements of sitcoms and began to ironically criticize both genres from which it originated. Lynch was lucky when it came to his collaborators. The mysteriously sounding soundtrack by Angelo Badalamenti became a huge hit and a symbol of the series. Kyle MacLachlan, with his sympathetic talents and malleable acting, had no problem identifying with the philosophy of the series and passionately delivered the famous lines to his invisible secretary, Diane. The beautiful mysterious women with unpredictable behavior added an erotic dimension to Twin Peaks. The characters constantly surprised us. Outwardly positive characters carried the seeds of evil within themselves, unexpectedly showed their dark side, and fascinated us with their corruption. The intricate storytelling with many blind alleys, which did not burden itself with explanations and presenting information on a silver platter, attracted intellectuals to the television, who had previously scorned it. The screenwriters played with the viewers, mystified them, and diverted their attention to details that had no practical importance. Twin Peaks was at the forefront of a process that changed the rules of the game in television production and introduced cinematic aesthetics to it. Its success inspired many other television projects, and traces of Twin Peaks can be found practically everywhere today. The first season suited me perfectly and it was precisely this season that led me to discover the eccentric and crazy Lynch. Overall impression: 95%. ()

Goldbeater 

Toutes les critiques de l’utilisateur·trice (pour cette série)

français David Lynch et Mark Frost ouvrent le bal avec un chassé-croisé absolument captivant et incroyablement stylisé de personnages bizarres avec, pour arrière-plan, un meurtre mystérieux commis sur une lycéenne. Ce qui démarre comme une enquête banale dans une petite ville montagnarde se mue progressivement en énigme embrumée à l’ambiance de plomb. Et l’agent Dale Cooper incarné par MacLachlan constitue l’un des personnages les mieux conçus de la série, Twin Peaks n’étant d’ailleurs pas avare en personnages remarquables. ()